Less than one week before we announce the fiction longlist for the Best Translated Book Award (I have three more pre-announcements posts in the works to whet your appetite), but in the meantime, the French-American Foundation just announced the finalists for their Translation Prize.
The French-American Foundation received 64 submissions to the Translation Prize this year from more than 35 American publishers. . . . There will be one Fiction and one Non-Fiction prize presented at the annual Awards Ceremony on June 5 in New York. Each winning translator will receive a $10,000 cash prize funded by the Florence Gould Foundation.
The jury, which includes Linda Asher, David Bellos, Linda Coverdale, Emmanuelle Ertel and Lorin Stein, has selected the best English translations of French works published in 2012.
Here’s the list of the Fiction Finalists (descriptions theirs):
No One by Gwenaëlle Aubry and translated by Trista Selous (Tin House Books)
No One is a fictional memoir in dictionary form that investigates the unstable identity of the author’s father, a lawyer affected by a disabling bipolar disorder. Letter by letter, Aubry gives shape and meaning to the father who had long disappeared from her view.
We Monks and Soldiers by Lutz Bassmann and translated by Jordan Stump (University of Nebraska Press)
While humanity seems to be fading around them, the members of a shadowy organization are doing their inadequate best to assist those experiencing their last moments. This remarkable work offers readers a thrilling entry into Bassmann’s numinous world.
HHhH by Laurent Binet and translated by Sam Taylor (Farrar, Straus and Giroux)
A seemingly effortlessly blend of historical truth, personal memory, and Laurent Binet’s remarkable imagination, HHhH—a winner of the prestigious Prix Goncourt du Premier Roman—is a work at once thrilling and intellectually engrossing, a fast-paced novel of the Second World War.
Prehistoric Times by Eric Chevillard and translated by Alyson Waters (Archipelago Books)
The characters in Prehistoric Times remind us of the inhabitants of Samuel Beckett’s world: dreamers who in their savage and deductive folly try to modify reality.
With the Animals by Noëlle Revaz and translated by W. Donald Wilson (Dalkey Archive Press)
With the Animals, Noëlle Revaz’s shocking debut, is a novel of mud and blood whose linguistic audaciousness is matched only by its brutality, misanthropy, and gallows humor.
And for those of you who have read this far in this post, you should know that two of those five titles made the Best Translated Book Award fiction longlist . . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .