The Independent Foreign Fiction Prize longlist was announced this morning, and is pretty spectacular. As you’ll find out on Tuesday, four of the books on the IFFP longlist are also on the BTBA longlist. (Which may seem small, but a number of these—The Detour, The Sound of Things Falling—have yet to be published/distributed in America, and thus aren’t yet BTBA eligible.)
Anyway, here’s a chunk of Boyd Tonkin’s great write-up on this year’s list:
Every year, the balance of the books that reach this antepenultimate round shifts. This time, central and eastern Europe shines: Pawel Huelle’s wryly delightful Polish stories; Ismail Kadare’s commanding Albanian history-cum-fable; Laszlo Krasznahorkai’s black-comic dystopia from rural Hungary; Dasa Drndic’s tragic family drama in north-eastern Italy, and the camps further east, under German rule.
We also showcase two different faces of Africa: the no-man’s-land between South Africa and Mozambique depicted in Chris Barnard’s ideas-rich adventure; and the remembered Congo that haunts the jesting barflies in Alain Mabanckou’s Paris. A trio of major contenders from past years re-appear: Turkey’s Orhan Pamuk, Italy’s Diego Marani, and Colombia’s Juan Gabriel Vásquez. We visit the Assads’ tyrannous Syria, (Khaled Khalifa), investigate a Danish killing (Pia Juul), and learn dark Norwegian family secrets (Karl Ove Knausgaard).
Our long-listed authors also travel far and wide. Andrés Neuman, Argentinian-born, creates a Romantic-era town in Germany; Dutch Gerbrand Bakker despatches a heroine to rural Wales; in France, Laurent Binet re-imagines Nazi Prague; Enrique Vila-Matas sends a Barcelona publisher to literary Dublin. The Republic of Letters has no border controls. So join this mind-expanding tour – and bon voyage.
This year’s judging panel is as impressive as ever. Joining Boyd in this nearly impossible task is Frank Wynne, Elif Shafak, Gabriel Josipovici, and Jean Boase-Beier. Good luck—it’s going to be tough to pick a winner from this list.
To get on with it, here’s the complete 15-title longlist:
Gerbrand Bakker: The Detour (translated by David Colmer from the Dutch), and published by Harvill Secker
Chris Barnard: Bundu (Michiel Heyns; Afrikaans), Alma Books
Laurent Binet: HHhH (Sam Taylor; French), Harvill Secker
Dasa Drndic: Trieste (Ellen Elias-Bursac; Croatian), MacLehose Press
Pawel Huelle: Cold Sea Stories (Antonia Lloyd-Jones; Polish), Comma Press
Pia Juul: The Murder of Halland (Martin Aitken; Danish), Peirene Press
Ismail Kadare: The Fall of the Stone City (John Hodgson; Albanian), Canongate
Khaled Khalifa: In Praise of Hatred (Leri Price; Arabic), Doubleday
Karl Ove Knausgaard: A Death in the Family (Don Bartlett; Norwegian), Harvill Secker
Laszlo Krasznahorkai: Satantango (George Szirtes; Hungarian), Tuskar Rock
Alain Mabanckou: Black Bazaar (Sarah Ardizzone; French), Serpent’s Tail
Diego Marani: The Last of the Vostyachs (Judith Landry; Italian), Dedalus
Andrés Neuman: Traveller of the Century (Nick Caistor & Lorenza Garcia; Spanish), Pushkin Press
Orhan Pamuk: Silent House (Robert Finn; Turkish), Faber
Juan Gabriel Vásquez: The Sound of Things Falling (Anne McLean; Spanish), Bloomsbury
Enrique Vila-Matas: Dublinesque (Rosalind Harvey & Anne McLean; Spanish), Harvill Secker
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .