Without further ado, here are the books that our nine1 judges selected for this year’s Best Translated Book Award Fiction Longlist.
The Planets by Sergio Chejfec, translated from the Spanish by Heather Cleary (Open Letter Books; Argentina)
Prehistoric Times by Eric Chevillard, translated from the French by Alyson Waters (Archipelago Books; France)
The Colonel by Mahmoud Dowlatabadi, translated from the Persian by Tom Patterdale (Melville House; Iran)
Atlas by Dung Kai-Cheung, translated from the Chinese by Anders Hansson and Bonnie S. McDougall (Columbia University Press; China)
Kite by Dominique Eddé, translated from the French by Ros Schwartz (Seagull Books; Lebanon)
We, The Children of Cats by Tomoyuki Hoshino, translated from the Japanese by Brian Bergstrom and Lucy Fraser (PM Press; Japan)
The Map and the Territory by Michel Houellebecq, translated from the French by Gavin Bowd (Knopf; France)
Basti by Intizar Husain, translated from the Urdu by Frances W. Pritchett (New York Review Books; Pakistan)
Mama Leone by Miljenko Jergović, translated from the Croatian by David Williams (Archipelago Books; Croatia)
Awakening to the Great Sleep War by Gert Jonke, translated from the German by Jean M. Snook (Dalkey Archive Press; Austria)
My Struggle: Book One by Karl Knausgaard, translated from the Norwegian by Don Bartlett (Archipelago Books; Norway)
Satantango by László Krasznahorkai, translated from the Hungarian by George Szirtes (New Directions; Hungary)
Autoportrait by Edouard Levé, translated from the French by Lorin Stein (Dalkey Archive Press; France)
A Breath of Life: Pulsations by Clarice Lispector, translated from the Portuguese by Johnny Lorenz (New Directions; Brazil)
The Lair by Norman Manea, translated from the Romanian by Oana Sanziana Marian (Yale University Press; Romania)
The Hunger Angel by Herta Müller, translated from the German by Philip Boehm (Metropolitan Books; Romania)
Traveler of the Century by Andrés Neuman, translated from the Spanish by Nick Caistor and Lorenza Garcia (Farrar, Straus, and Giroux; Argentina)
Happy Moscow by Andrey Platonov, translated from the Russian by Robert Chandler and Elizabeth Chandler (New York Review Books; Russia)
With the Animals by Noëlle Revaz, translated from the French by Donald W. Wilson (Dalkey Archive Press; Switzerland)
Maidenhair by Mikhail Shishkin, translated from the Russian by Marian Schwartz (Open Letter Books; Russia)
Joseph Walser’s Machine by Gonçalo M. Tavares, translated from the Portuguese by Rhett McNeil (Dalkey Archive Press; Portugal)
Island of Second Sight by Albert Vigoleis Thelen, translated from the German by Donald O. White (Overlook; Germany)
Dublinesque by Enrique Vila-Matas, translated from the Spanish by Rosalind Harvey and Anne McLean (New Directions; Spain)
Transit by Abdourahman A. Waberi, translated from the French by David Ball and Nicole Ball (Indiana University Press; Djibouti)
My Father’s Book by Urs Widmer, translated from the German by Donal McLaughlin (Seagull Books; Switzerland)
As in recent years, we will be awarding $20,000 in cash prizes thanks to support from Amazon.com.
On April 10th, we’ll announce the finalists in both the fiction and poetry categories, with the award ceremony taking place in New York City on Saturday, May 4th. (More details to come.)
1 This year’s fiction judges are: Monica Carter, Salonica; Tess Doering Lewis, translator and critic; Scott Esposito, Conversational Reading and Center for the Art of Translation; Susan Harris, Words Without Borders; Bill Martin, translator; Bill Marx, Arts Fuse; Michael Orthofer, Complete Review; Stephen Sparks, Green Apple Books; and Jenn Witte, Skylight Books.
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .
One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .