Next year, I hope to start the “Best Translations” list a lot earlier in the fall, giving us more time to research, read, recommend, and decide on which to include. One thing that would help though would be a single source of all the original translations published throughout the year. And once again, since this fits the Three Percent mission, there’s no reason why we can’t start a sort of informal catalog of translations here . . .
So, beginning in January, we’re going to start posting monthly (or bi-weekly) round-ups of forthcoming original literary translations. There’s a slew of great presses that send us catalogs, review copies, etc., and there are a number of people I’ll be able to contact to make sure we’re including as many books as possible.
That said, it’ll be hard to catch everything, so, if you work for a publisher, or know one, please feel free to pass along information about this project, and anyone interested can e-mail me at chad.post at rochester dot edu with title, author, translator, language, pub month, and price for forthcoming titles and we’ll include them in the postings.
We’ll also try and review a couple of these titles each month, and include short descriptions of a few each week as well.
This is one of the primary goals for Three Percent in 2008 (along with increasing the number of reviews of untranslated titles featured here), so I thought I’d pass this along . . .
The historian John Lukacs observed, “Fictitious characters may represent characteristic tendencies and potentialities that existed in the past” and thus “may serve the historian under certain circumstances—when, for example, these are prototypical representations of certain contemporary realities.” Eugen Ruge’s In. . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .