10 May 13 | Kaija Straumanis

The latest addition to our Reviews Section is a piece by Rachael Daum on Intizar Husain’s Basti, which is available from New York Review Books.

Each semester, Chad has students in both his Introduction to Publishing course and the World Literature in Translation course write book reviews as part of an assignment—we’ll be running these over the next weeks.

Rachael Daum (who is an accomplisher and recipient of all the things/fellowships, speaker of several languages, translator-in-training, and hails from England/Germany) was part of the internship and Intro to Publishing course this semester. Here’s a bit of her review:

The Urdu word “_basti_” refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers, traverses a number of cities, the connections between them, and the people who live in them. Within this slender book are a great number of dichotomous themes, most of them facing off with each other: tradition and innovation, Hinduism and Islam, India and Pakistan. But all of these revolve around a greater theme of change, mostly that which comes with war, and how the people involved must react to it—and possibly lose their humanity in doing so.

The book opens with Zakir as a child in India, which, at the time includes what would soon be Pakistan. He recalls growing up as a small Muslim boy alongside Hindu boys and girls. The calm of his childhood, however, is upset by an explanation of how Cain murders and buries of his brother Abel, with Zakir’s mother calling a curse on Cain’s blood, for “it was thinner than water!,” and a further discussion that Doomsday will come “when those who can speak fall silent, and shoelaces speak.” This particularly gloomy talk soon becomes appropriate in this context, however, as it clearly foreshadows the war that will rend India and Pakistan apart, and separate families and friends.

To read the rest of the review, go here.


Comments are disabled for this article.
....
Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >

Twenty-One Days of a Neurasthenic
Twenty-One Days of a Neurasthenic by Octave Mirbeau
Reviewed by Lori Feathers

Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .

Read More >

Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >