Although the announcement of the 2013 Best Translated Book Award winners is only a couple of months old, it’s already time to start thinking about next year’s award.
First up—announcing the fiction jury and the deadline for fiction submissions. Easy bit first: As with years previous, to submit a title for the award, you, the publisher/author/translator simply have to send a copy to each of the nine judges (and myself for record keeping) by November 30th, 2013.
Although most judges prefer hard copies, if you’d rather send a PDF, mobi, or ePub file, that’s perfectly acceptable, and the emails for all of the judges are contained in the PDF below.
All books published between January 1, 2013 and December 31, 2013 are eligible.1
I’ll have information about the dates for announcing the longlist, shortlist, and winners in the not too distant future, but for now, if you’re a publisher/author/translator, you should start flooding the doorsteps of these judges.
The nine judges for the 2014 BTBA for Fiction are:
George Carroll, West Coast sales rep and soccer editor for Shelf Awareness;
Monica Carter, author, former bookseller, and editor of Salonica;
Sarah Gerard, bookseller at McNally Jackson;
Elizabeth Harris translator from the Italian and associate professor at the University of North Dakota;
Stephen Sparks, bookseller at Green Apple Books; and
Jenn Witte, bookseller at Skylight Books.
Really excited about this year’s jury. And we’re making some changes to the process this year. A lot of behind the scenes things, but a couple things that will be made visible to the general public. I’ll update you on these as soon as I get back from Brazil.
For now though, start sending along all eligible titles. Here’s a small label sheet with everyone’s address, and here’s a bigger one with physical and email addresses.
1 Worth noting that every book published in translation and distributed in the U.S. in 2013 can be selected by the jury regardless of whether or not that book was mailed to all of the judges. Obviously, the odds of a book being selected for the longlist are increased exponentially if the judges don’t have to try and hunt down a copy . . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .