2 July 13 | Chad W. Post

I just got back from a 24-hour (or so) happy time on the hotel roof complete with champagne and fish sticks, and, seeing that we need to check out of the hotel at 8:30am tomorrow to leave for FLIP, I think I’m going to beg off my planned photojournal post (we viste a favela today) and just recommend a Brazilian book: All Dogs Are Blue by Rodrigo de Souza Leão, translated from the Brazilian Portuguese by Zoë Perry & Stefan Tobler, and forthcoming from And Other Stories.

Rimbaud used to do a dance called the Dance of the Blue Pelican. It was one hell of a wiggly dance, using all parts of his body. He learnt it in Africa, he says. But were there any pelicans in Africa? He was free to say whatever he wanted. Actually we all are, but whether it’s true or not is another matter. The truth can be such a sloppy invention and still convince everyone. You just have to be forceful. Or take advantage of people’s natural gullibility.

According to the jacket copy:

All Dogs are Blue is a fiery and scurrilously funny tale of life in a Rio de Janeiro insane asylum. Our narrator is upset by his ever-widening girth and kept awake by the Rio funk blaring from a nearby favela – fair enough, but what about the undercover agents infiltrating the asylum? He misses the toy dog of his childhood, keeps high literary company with two hallucinations, Rimbaud (a mischief-maker) and Baudelaire (a bit too serious for him), and finds himself the leader of a popular cult.

All Dogs are Blue burst onto the Brazilian literary scene in 2008. Its raw style and comic inventiveness took readers by storm. But it was to be Rodrigo de Souza Leão’s last masterpiece. He died that year, aged 43, in a psychiatric clinic.

And one more quote:

I stopped getting bayoneted. I started oral medication. Oral medication is easy to trick your way out of. I know which drugs I take. I always spit the ones I don’t want down the sink. The ideal way to deter that would be effervescent drugs. Of course the feebleminded are totally out of it and take their drugs properly.

Time to watch television. Time for the Addams family to get together. All the nutters would ge together to watch the soap opera. A sergeant, a street cleaner, other dimwits and one guy who beats his head against the wall every two minutes.

I’ve already told that little doctor that he’s going to do his head in. He’s going to have a serious stroke. I blsjdsomdkm0ooooeeirrrriruuuuruuiirrriiirii.


Comments are disabled for this article.
....
This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >

Twenty-One Days of a Neurasthenic
Twenty-One Days of a Neurasthenic by Octave Mirbeau
Reviewed by Lori Feathers

Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .

Read More >

Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >

Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >