Following on yesterday’s announcement of the PEN/Heim Translation Grants the National Endowment for the Arts has announced the recipients of their Translation Grants: 16 translators working on projects from 13 languages and 15 countries.
The full list is below [with some side comments], but I want to specially point out that Angela Rodel’s project—_The Physics of Sorrow_ by Georgi Gospodinov—is coming out from Open Letter late next year.
Mohammed A. Albakry (Murfreesboro, Tennessee) is recommended for a grant of $25,000 to support the translation from Arabic of Tahrir Plays and Performance Texts from the Egyptian Revolution, an anthology of six contemporary Egyptian plays written by established and emerging playwrights. This project is in collaboration with Rebekah Maggor.
Daniel Borzutzky (Chicago, Illinois) is recommended for a grant of $12,500 to support the translation from Spanish of a collection of poetry by Chilean author Raul Zurita.
[Daniel deserves a double congrats for being on both the PEN list AND this list. That’s some serious cash for translating poetry! Some seriously good poetry as well . . .]
Nancy Naomi Carlson (Silver Spring, Maryland) is recommended for a grant of $12,500 to support the translation from French of a poetry collection by African writer Abdourahman Waberi.
[I LOVE Abdourahman Waberi’s work. So much so that I’d even read his poetry. That’s dedication.]
David Dollenmayer (Hopkinton, Massachusetts) is recommended for a grant of $12,500 to support the translation from German of the novel A Garden in the North by Michael Kleeberg.
[I met David when he won the Helen and Kurt Wolff Translation Prize. He’s a great person, and very deserving of this award.]
Erdağ Göknar (Durham, North Carolina) is recommended for a grant of $25,000 to support the translation from Ottoman Turkish of the epic poem Insurgency by Nazim Hikmet.
Jen Hofer (Los Angeles, California) is recommended for a grant of $12,500 to support the translation from Spanish of To Be in Pain: Texts from a Wounded Country by Mexican writer Cristina Rivera Garza.
[Cristina Rivera Garza is vastly underappreciated in America. Same can be said for approximately 10,000 writers from south of our border.]
Christina E. Kramer (Toronto, Ontario) is recommended for a grant of $12,500 to support the translation from Macedonian of the novel The Path of the Eels by Albanian writer Luan Starova.
[The words “Macedonian” and “Albanian” have me intrigued.]
Andrea Lingenfelter (Berkeley, California) is recommended for a grant of $12,500 to support the translation from Chinese of The Kite Family, a collection of fiction by contemporary Hong Kong writer Hon Lai Chu.
Denise Newman (San Francisco, California) is recommended for a grant of $12,500 to support the translation from Danish of a collection of short stories, Baboon, by Danish author Naja Marie Aidt.
[YAY! I really like Naja Marie Aidt—and hope to publish her in the future—and as a result have been cheering on Denmark in the Women’s Euro Cup. Did you see that PK victory over France yesterday? Me neither, since ESPN3 decided to crap out AT THAT VERY MOMENT. But still, it was exciting. And three Nordic teams in the semi-finals—plus Nordic wannabees, Germany—is pretty stellar.]
George O’Connell (Omaha, Nebraska) is recommended for a grant of $12,500 to support the translation from Mandarin of From Here to Here: New and Selected Poems by Chinese writer Hu Lan Lan. This project is in collaboration with Diana Shi.
Mariana F. Past (Toronto, Ontario) is recommended for a grant of $12,500 to support the translation from Haitian Creole of Controversial Issues in Haitian History, a work of creative nonfiction by Michel-Rolph Trouillot. This project is in collaboration with Benjamin Hebblethwaite.
[I suspect J.T. Mahany will be really interested in this . . .]
Amanda Powell (Eugene, Oregon) is recommended for a grant of $12,500 to support the translation from Spanish of the novel El gato de si mismo by Costa Rican writer Uriel Quesada.
[In Gold Cup news, I was pretty heartbroken that Costa Rica fell to Honduras. I really like their team. Hopefully they can hold off Honduras in the World Cup Qualifiers. And seriously, if you think I talk too much soccer on the blog/podcast now, just wait till 2014 . . .]
Daisy Rockwell (North Bennington, Vermont) is recommended for a grant of $25,000 to support the translation from Hindi of the novel Falling Walls by Indian author Upendranath Ashk.
[When this book gets published, it will be the second title translated from Hindi and published in the U.S. in the past few years. Which is crazy considering just how many people in the world speak Hindi, and how many U.S./UK publishers have offices in India.]
Angela Rodel (Sofia, Bulgaria) is recommended for a grant of $25,000 to support the translation from Bulgarian of the novel The Physics of Sorrow by writer Georgi Gospondinov.
[From what I’ve read, this book is going to be one of the best we’ve ever published. And there isn’t a more deserving translator than Angela Rodel. She’s done more for getting Bulgarian literature into English than anyone else in the world. Well, her and Elizabeth Kostova.]
Rimas Uzgiris (Brooklyn, New York) is recommended for a grant of $12,500 to support the translation from Lithuanian of selected poems by Lithuanian writer Judita Vaiciunaite.
[Speaking of Lithuania, did you know that Vilnius Poker is now available as an ebook? That’s right. You should buy it now, especially since the print copies are so hard to come by.]
Hester Velmans (Sheffield, Massachusetts) is recommended for a grant of $12,500 to support the translation from Dutch of the novel Slow Light by Dutch writer Herman Franke.
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .