The shortlist for the first ever Arabic Fiction Prize has just been announced. This award—officially the International Prize for Arabic Fiction—was launched last year in collaboration with the Booker Prize Foundation to bring more attention to Arabic writing.
Here’s the list:
As stated on their website, “The winner of the Booker Prize is generally assured of international renown and success. It is also a mark of distinction for authors to be nominated for the Booker longlist or selected for inclusion in the shortlist.”
All of which is true—although moreso for the British Booker than the Russian or African ones, unfortunately—which hopefully means that at least some of these books will end up being translated and published in English.
As with any prize of this nature, I really wish they had samples available on their website . . . It’s not like they picked the six books this morning. And beyond being on this list, a sample would go a long way in getting a UK/U.S. press interested in these books.
Each of the writers on the shortlist receives $10,000, and the final winner will receive an additional $50,000. The winner will be announced on March 10th in Abu Dhabi.
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
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Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .