(Today is a day in which I list things . . . ) Hopefully most of you are aware of Reading the World, a unique collaborations between publishers and independent booksellers to promote literature in translations throughout the month of June.
This program came out of a series of discussions at BookExpo America five (?!) years ago, and has grown every year since thanks to its simplicity and elegance. Throughout the month of June, approx. 250 bookstores across the country display RTW titles complete with posters and brochures featuring the artwork of Czech artist Peter Sis. In the past, various bloggers, reviewers, radio hosts, and the like wrote and talked about many of these books, and the program in general, helping to create a certain buzz around RTW, which helped get these titles into the hands of readers.
I’ll be posting periodic updates over the next few months, especially once the artwork for 2008 is finalized, the new website is online, the Bookforum/RTW BEA party details are set, etc., but since we just finalized this list, I wanted to share it with everyone. This year the RTW list consists of 25 titles—20 from the 10 “core” publishers who have been part of the program from the start and 5 selected by a panel of independent booksellers.
So here they are in alpha order of publisher:
Yalo, Elias Khoury, translated from the Arabic by Peter Theroux (Lebanon)
A Mind at Peace, Ahmet Hamdi Tanpinar, translated from the Turkish by Erdag Goknar (Turkey)
COLUMBIA UNIVERSITY PRESS
The Song of Everlasting Sorrow: A Novel of Shanghai, Wang Anyi, translated from the Chinese by Michael Berry and Susan Chan Egan (China)
COPPER CANYON PRESS
So What: New and Selected Poems, 1971-2005, Taha Muhammad Ali, translated from the Arabic by Gabriel Levin and Peter Cole (Lebanon)
DALKEY ARCHIVE PRESS
I’d Like, Amanda Michalopoulou, translated from the Greek by Karen Emmerich (Greece)
Knowledge of Hell, Antonio Lobo Antunes, translated from the Portuguese by Clifford Landers (Portugal)
Don Quixote, Miguel de Cervantes, translated from the Spanish by Edith Grossman (Spain)
Celestial Harmonies, Peter Esterhazy, translated from the Hungarian by Judith Sollosv (Hungary)
The Days of Abandonment, Elena Ferrante, translated from the Italian by Ann Goldstein (Italy)
FARRAR, STRAUS, AND GIROUX
The Girl on the Fridge, Etgar Keret, translated from the Hebrew by Miriam Shlesinger and Sondra Silverston (Israel)
Beijing Coma, Ma Jian, translated from the Chinese by Flora Drew (China)
New European Poets, edited by Wayne Miller and Kevin Prufer, translated from various by various (Europe)
Serve the People!, Yan Yan, translated from the Chinese by Julia Lovell (China)
HOUGHTON MIFFLIN HARCOURT
Peeling the Onion, Gunter Grass, translated from the German by Michael Henry Heim (Germany)
Woods and Chalices, Tomas Salamun, translated from the Slovenian by Brian Henry (Slovenia)
Mind’s Eye, Hakan Nesser, translated from the Swedish by Laurie Thompson (Sweden)
Fire in the Blood, Irene Nemirovsky, translated from the French by Sandra Smith (France)
Nazi Literature in the Americas, Roberto Bolano, translated from the Spanish by Chris Andrews (Chile)
The Assistant, Robert Walser, translated from the German by Susan Bernofsky (Switzerland)
NEW YORK REVIEW BOOKS
The Unforgiving Years, Victor Serge, translated from the French by Richard Greeman (France)
The Post-Office Girl, Stefan Zweig, translated from the German by Joel Rotenberg (Austria)
The King of Corsica, Michael Kleeberg, translated from the German by David Dollenmayer (Germany)
Life Laid Bare: The Survivors in Rwanda Speak, Jean Hatzfeld, translated from the French by Linda Coverdale (France)
Out Stealing Horses, Per Petterson, translated from the Norwegian by Anne Born (Norway)
The Diving Pool, Yoko Ogowa, translated from the Japanese by Stephen Snyder (Japan)
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .