(Today is a day in which I list things . . . ) Hopefully most of you are aware of Reading the World, a unique collaborations between publishers and independent booksellers to promote literature in translations throughout the month of June.
This program came out of a series of discussions at BookExpo America five (?!) years ago, and has grown every year since thanks to its simplicity and elegance. Throughout the month of June, approx. 250 bookstores across the country display RTW titles complete with posters and brochures featuring the artwork of Czech artist Peter Sis. In the past, various bloggers, reviewers, radio hosts, and the like wrote and talked about many of these books, and the program in general, helping to create a certain buzz around RTW, which helped get these titles into the hands of readers.
I’ll be posting periodic updates over the next few months, especially once the artwork for 2008 is finalized, the new website is online, the Bookforum/RTW BEA party details are set, etc., but since we just finalized this list, I wanted to share it with everyone. This year the RTW list consists of 25 titles—20 from the 10 “core” publishers who have been part of the program from the start and 5 selected by a panel of independent booksellers.
So here they are in alpha order of publisher:
Yalo, Elias Khoury, translated from the Arabic by Peter Theroux (Lebanon)
A Mind at Peace, Ahmet Hamdi Tanpinar, translated from the Turkish by Erdag Goknar (Turkey)
COLUMBIA UNIVERSITY PRESS
The Song of Everlasting Sorrow: A Novel of Shanghai, Wang Anyi, translated from the Chinese by Michael Berry and Susan Chan Egan (China)
COPPER CANYON PRESS
So What: New and Selected Poems, 1971-2005, Taha Muhammad Ali, translated from the Arabic by Gabriel Levin and Peter Cole (Lebanon)
DALKEY ARCHIVE PRESS
I’d Like, Amanda Michalopoulou, translated from the Greek by Karen Emmerich (Greece)
Knowledge of Hell, Antonio Lobo Antunes, translated from the Portuguese by Clifford Landers (Portugal)
Don Quixote, Miguel de Cervantes, translated from the Spanish by Edith Grossman (Spain)
Celestial Harmonies, Peter Esterhazy, translated from the Hungarian by Judith Sollosv (Hungary)
The Days of Abandonment, Elena Ferrante, translated from the Italian by Ann Goldstein (Italy)
FARRAR, STRAUS, AND GIROUX
The Girl on the Fridge, Etgar Keret, translated from the Hebrew by Miriam Shlesinger and Sondra Silverston (Israel)
Beijing Coma, Ma Jian, translated from the Chinese by Flora Drew (China)
New European Poets, edited by Wayne Miller and Kevin Prufer, translated from various by various (Europe)
Serve the People!, Yan Yan, translated from the Chinese by Julia Lovell (China)
HOUGHTON MIFFLIN HARCOURT
Peeling the Onion, Gunter Grass, translated from the German by Michael Henry Heim (Germany)
Woods and Chalices, Tomas Salamun, translated from the Slovenian by Brian Henry (Slovenia)
Mind’s Eye, Hakan Nesser, translated from the Swedish by Laurie Thompson (Sweden)
Fire in the Blood, Irene Nemirovsky, translated from the French by Sandra Smith (France)
Nazi Literature in the Americas, Roberto Bolano, translated from the Spanish by Chris Andrews (Chile)
The Assistant, Robert Walser, translated from the German by Susan Bernofsky (Switzerland)
NEW YORK REVIEW BOOKS
The Unforgiving Years, Victor Serge, translated from the French by Richard Greeman (France)
The Post-Office Girl, Stefan Zweig, translated from the German by Joel Rotenberg (Austria)
The King of Corsica, Michael Kleeberg, translated from the German by David Dollenmayer (Germany)
Life Laid Bare: The Survivors in Rwanda Speak, Jean Hatzfeld, translated from the French by Linda Coverdale (France)
Out Stealing Horses, Per Petterson, translated from the Norwegian by Anne Born (Norway)
The Diving Pool, Yoko Ogowa, translated from the Japanese by Stephen Snyder (Japan)
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .