(Today is a day in which I list things . . . ) Hopefully most of you are aware of Reading the World, a unique collaborations between publishers and independent booksellers to promote literature in translations throughout the month of June.
This program came out of a series of discussions at BookExpo America five (?!) years ago, and has grown every year since thanks to its simplicity and elegance. Throughout the month of June, approx. 250 bookstores across the country display RTW titles complete with posters and brochures featuring the artwork of Czech artist Peter Sis. In the past, various bloggers, reviewers, radio hosts, and the like wrote and talked about many of these books, and the program in general, helping to create a certain buzz around RTW, which helped get these titles into the hands of readers.
I’ll be posting periodic updates over the next few months, especially once the artwork for 2008 is finalized, the new website is online, the Bookforum/RTW BEA party details are set, etc., but since we just finalized this list, I wanted to share it with everyone. This year the RTW list consists of 25 titles—20 from the 10 “core” publishers who have been part of the program from the start and 5 selected by a panel of independent booksellers.
So here they are in alpha order of publisher:
Yalo, Elias Khoury, translated from the Arabic by Peter Theroux (Lebanon)
A Mind at Peace, Ahmet Hamdi Tanpinar, translated from the Turkish by Erdag Goknar (Turkey)
COLUMBIA UNIVERSITY PRESS
The Song of Everlasting Sorrow: A Novel of Shanghai, Wang Anyi, translated from the Chinese by Michael Berry and Susan Chan Egan (China)
COPPER CANYON PRESS
So What: New and Selected Poems, 1971-2005, Taha Muhammad Ali, translated from the Arabic by Gabriel Levin and Peter Cole (Lebanon)
DALKEY ARCHIVE PRESS
I’d Like, Amanda Michalopoulou, translated from the Greek by Karen Emmerich (Greece)
Knowledge of Hell, Antonio Lobo Antunes, translated from the Portuguese by Clifford Landers (Portugal)
Don Quixote, Miguel de Cervantes, translated from the Spanish by Edith Grossman (Spain)
Celestial Harmonies, Peter Esterhazy, translated from the Hungarian by Judith Sollosv (Hungary)
The Days of Abandonment, Elena Ferrante, translated from the Italian by Ann Goldstein (Italy)
FARRAR, STRAUS, AND GIROUX
The Girl on the Fridge, Etgar Keret, translated from the Hebrew by Miriam Shlesinger and Sondra Silverston (Israel)
Beijing Coma, Ma Jian, translated from the Chinese by Flora Drew (China)
New European Poets, edited by Wayne Miller and Kevin Prufer, translated from various by various (Europe)
Serve the People!, Yan Yan, translated from the Chinese by Julia Lovell (China)
HOUGHTON MIFFLIN HARCOURT
Peeling the Onion, Gunter Grass, translated from the German by Michael Henry Heim (Germany)
Woods and Chalices, Tomas Salamun, translated from the Slovenian by Brian Henry (Slovenia)
Mind’s Eye, Hakan Nesser, translated from the Swedish by Laurie Thompson (Sweden)
Fire in the Blood, Irene Nemirovsky, translated from the French by Sandra Smith (France)
Nazi Literature in the Americas, Roberto Bolano, translated from the Spanish by Chris Andrews (Chile)
The Assistant, Robert Walser, translated from the German by Susan Bernofsky (Switzerland)
NEW YORK REVIEW BOOKS
The Unforgiving Years, Victor Serge, translated from the French by Richard Greeman (France)
The Post-Office Girl, Stefan Zweig, translated from the German by Joel Rotenberg (Austria)
The King of Corsica, Michael Kleeberg, translated from the German by David Dollenmayer (Germany)
Life Laid Bare: The Survivors in Rwanda Speak, Jean Hatzfeld, translated from the French by Linda Coverdale (France)
Out Stealing Horses, Per Petterson, translated from the Norwegian by Anne Born (Norway)
The Diving Pool, Yoko Ogowa, translated from the Japanese by Stephen Snyder (Japan)
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .