I don’t have a lot to say, analysis-wise, about this most recent update. At the moment, there are 419 titles included for 2013, compared to 452 for 2012. By year’s end, I suspect these will be almost identical, especially considering that there are books I’m aware of—such as forthcoming titles from Frisch & Co.—that I can’t add yet because the ISBN info isn’t available. (Database talk! The ISBN is the primary key, so without anything to enter into that field, I can’t create a record.) Also, the count for December publications (19 in 2013 compared to 34 in 2012) points to the fact that there are releases coming up that haven’t made their way to my desk/inbox or PW.
One thing worth noting is that Dalkey has regained the lead as the number one publisher of translations in the U.S., overtaking AmazonCrossing. How did they do this? Money from the Korean Government! Seriously. Way back when, South Korea signed a deal with Dalkey to publish approximately a shit load of Korean books. The first ten are coming out in November, and with those added in here, Dalkey moves back up into first place with 31 translations of fiction and poetry coming out in 2013.
The thing I’m always interested in are the most translated languages. At the moment, the top 10 are:
That’s an unusually large gap between French and German. For example, last year there were 67 French books and 57 German. Not sure what’s going on there . . .
Enjoy downloading and looking through these, and hopefully you’ll find some interesting books and publishers to check out!
1 As always, these spreadsheets detail all original translations to come out in English, in the U.S. (either by a U.S. press, or a foreign press with legit U.S. distribution) during the specified time period. And by original I mean books that have never ever ever appeared in any English translation ever ever ever. No retranslations of Proust, no “new editions” comprised of pieces from previously published books, etc. Sometimes I miss things thought—include things that shouldn’t be, or don’t include books that should—so email me at chad.post [at] rochester.edu if you see any errors.
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .