Entitled Translation in a Global Community: Theory and Practice, the 2013 Clifford Symposium at Middlebury College kicks off tomorrow, runs through Saturday evening, and features a number of interesting talks and discussions about translation.
Here’s the Middlebury summary:
You’re translating right now. We all do it every day —usually unconsciously—from written to oral, from images to text. Even with people we know who share our language and culture, our brains constantly finesse ways to make ourselves understood and to understand. Our increasingly interconnected planet scales up our reliance on translated messages exponentially. Whether it’s negotiating peace at a diplomatic table, reading a novel in a foreign tongue, or learning how to change a spark plug from a car owner’s manual, translators are there, building a bridge.
The 2013 Clifford Symposium invites students, faculty, staff, and the community to explore many forms of translation, and to show how translation and translators contribute to a complex cultural environment. The Symposium will feature faculty members from Middlebury College and the Monterey Institute of International Studies, authors, linguists, and artists.
Click here to see the full line-up of events, but just to give you a taste, here are a few of the highlights:
“Making Maigret New,” Keynote Address by David Bellos
Thursday, September 26, 4:30 p.m., MCA Concert Hall
(Bellos is one of my heroes, and thanks to his invitation, I’m actually going to Princeton next Monday to speak as part of their lunchtime lecture series. And if you haven’t read it yet, you must read Is That a Fish in Your Ear?.)
Translation Studies: An (Inter)Discipline Comes of Age
Thursday, September 26, 8-9:30 p.m., MCA Concert Hall
Translation Studies emerged as an (inter)discipline some 40 years ago, actively embracing various fields of knowledge and creating a multifaceted area of study. Panelists Rosemary Arrojo, Professor of Comparative Literature, SUNY Binghamton; María Sierra Córdoba Serrano, Assistant Professor, MIIS; Beverley Curran, Professor of Translation Studies, International Christian University, Tokyo; Minhua Liu, Associate Professor, MIIS; and Paul Losensky, Associate Professor of Central Eurasian Studies, Indiana University will talk about their specific areas of research, including literature, gender and postcolonial studies, media, graphic novel, and legal translation, translation sociology, and interpreting studies. Moderated by Karin Hanta (Middlebury College)
Translation as a Career: Experiences in the Field
Friday, September 27, 9:30-11 a.m., MCA Dance Theater
Professional translators, editors, publishers of translations, and interpreters discuss how they have transformed their passion into a career. The panel will include Susan Harris, editorial director of Words without Borders; Stephen Jensen, Japanese-English technical translator in sustainability; Julie Johnson, professor of interpreting at MIIS; and Chad Post, publisher of Open Letter Books, University of Rochester. Moderated by Barry Slaughter Olsen, Assistant Professor, Translation and Conference Interpretation (MIIS).
“Lexilalia: On Translating a Dictionary of Untranslatable Terms,” Keynote Address by Emily Apter
Friday, September 27, 12-1 p.m., MCA Concert Hall
Emily Apter is the author of Feminizing the Fetish: Psychoanalysis and Narrative Obsession in Turn-of-the-Century France (1993), The Translation Zone: A New Comparative Literature (2006), and Against World Literature: On the Politics of Untranslatability (2013).
The “Mystery” of Translation: Global Cultural Flows
Friday, September 27, 1:30-3 p.m., MCA Concert Hall
Translations bridge time and space, connecting peoples and cultures and altering them in unexpected ways. This panel considers the role of translation in mediating cultural exchange across diverse fissures and boundaries. Panelists include Nehad Heliel, literary translator and director of the Middlebury School in Alexandria, Egypt; Carrie Reed, translator of classical Chinese literature and professor of Chinese at Middlebury; and Yumiko Yanagisawa, Swedish-Japanese and English-Japanese translator and feminist activist. This panel will be moderated by Stephen Snyder, Kawashima Professor of Japanese Studies, Middlebury College.
Feminist Translation: A Political Act
Friday, September 27, 5:30-7 p.m., Chellis House
As feminist translation scholar Suzanne Lotbinière-Harwood noted, translation is an inevitably political practice without which texts would not “live” in other cultures and times. Objectivity and neutrality in translation are fallacies since the translators, as social agents, are involved in a process of constant negotiation with the social system in which they produce texts. Join us for a dinner conversation with translation studies scholars and activists Rosemary Arrojo, Emily Apter, and Yumiko Yanagisawa to discuss feminist perspectives on translation.
(Re)Writers: Translating Poetry and Fiction
Friday, September 27, 8:00-9:30 p.m., MCA Concert Hall
Literary translators occupy an anomalous position as “creative imitators.” Publishers and reading practices often mask their existence, preferring an illusion of direct contact between foreign writer and domestic reader. Yet the mediation of translation and the work of translators are crucial in shaping individual works and literary canons. This panel brings together working literary translators to discuss their experiences and attitudes toward their practice, including Middlebury faculty Ahmad Almallha, Timothy Billings, Michael Katz, Stephen Snyder and Paul Losensky (Indiana University). Moderated by Nina Wieda, Assistant Professor of Russian, Middlebury College.
Hope to see some of you there . . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .