I’m not sure, but I think non-PEN members can sign this as well:
Dear fellow PEN Members,
I am writing to ask each and every one of you to stand up and be counted in support of our campaign to free 38 writers and journalists from prison in China.
As part of our We Are Ready for Freedom of Expression campaign, PEN American Center will be delivering a petition to the Chinese Consulate in New York on April 30, 2008—100 days before the Beijing Olympics Opening Ceremonies—requesting the release of our jailed colleagues and seeking an end to internet censorship and other restrictions on freedom of expression in China. We want to make sure the name of every single member of PEN American Center is included among the thousands of signatures we are gathering for this petition.
If you have not already done so, please take a moment right now to sign this petition: www.pen.org/chinapetition
Your efforts will make a difference. Since the launch of this campaign on December 10, 2007, four writers and journalists have been released from Chinese prisons.
Once you have signed, or if you have already have, please spread the word and urge 10 friends or family members to sign on as well. Simply direct them to: www.pen.org/chinapetition
If you would like to do more, also sign our parallel petition to United States Congress to prohibit U.S. internet companies from helping China censor the internet and jail cyber-dissidents. Visit our campaign page at: www.pen.org/china
With your help and the help of all who support literature and freedom to write, we will free many more of our jailed colleagues before the Olympic Games begin.
Thank you for joining in this effort.
bq. Francine Prose
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .