I’m not sure, but I think non-PEN members can sign this as well:
Dear fellow PEN Members,
I am writing to ask each and every one of you to stand up and be counted in support of our campaign to free 38 writers and journalists from prison in China.
As part of our We Are Ready for Freedom of Expression campaign, PEN American Center will be delivering a petition to the Chinese Consulate in New York on April 30, 2008—100 days before the Beijing Olympics Opening Ceremonies—requesting the release of our jailed colleagues and seeking an end to internet censorship and other restrictions on freedom of expression in China. We want to make sure the name of every single member of PEN American Center is included among the thousands of signatures we are gathering for this petition.
If you have not already done so, please take a moment right now to sign this petition: www.pen.org/chinapetition
Your efforts will make a difference. Since the launch of this campaign on December 10, 2007, four writers and journalists have been released from Chinese prisons.
Once you have signed, or if you have already have, please spread the word and urge 10 friends or family members to sign on as well. Simply direct them to: www.pen.org/chinapetition
If you would like to do more, also sign our parallel petition to United States Congress to prohibit U.S. internet companies from helping China censor the internet and jail cyber-dissidents. Visit our campaign page at: www.pen.org/china
With your help and the help of all who support literature and freedom to write, we will free many more of our jailed colleagues before the Olympic Games begin.
Thank you for joining in this effort.
bq. Francine Prose
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .