Just got a message from the Polish Book Institute that Bill Johnston (translator of numerous Polish authors, including Jerzy Pilch’s The Mighty Angel, another Open Letter book about drunks that we’ll be publishing in Spring 2009) has won the first ever Found in Translation award.
He won for his translation of Tadeusz Rozewicz’s New Poems available from Archipelago.
As pointed out in the press release about the award, this isn’t the first honor for Rozewicz’s book—it was also a finalist for the National Book Critics Circle award for poetry.
Bill is a really incredible translator and perfect example of how someone can help promote a particular country’s literature in translation.
He has translated the classics – J. Słowacki, B. Prus, S. Żeromski and Witold Gombrowicz. His splendid translations of books by authors such as Magdalena Tulli and Andrzej Stasiuk have also allowed American readers to become acquainted with Polish contemporary literature. Bill Johnston is an Assistant Professor of Comparative Literature and Second Language Studies at Indiana University in Bloomington (USA).
The Found in Translation award was established last October by the Book Institute, the Polish Cultural Institute in London, the Polish Cultural Institute in New York, and W.A.B. Publishers. The winner receives 10,000 PLN (almost $5,000) and a three-month Book Institute scholarship.
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .