In a press release today, the French American Foundation and Florence Gould Foundation announced the finalists for their 27th annual translation prize for one work of fiction and one work of non-fiction.
According to the release, the foundations received 84 submissions to the Translation Prize, from over 40 publishers. This year, the list of finalists saw a massive increase in number. The 2012 list consisted of only three titles and translators—one in the fiction category, and two in the non-fiction category. In fact, with 10 titles in total, 2013 saw the highest number of winners in the history of the award. (The full list of past winners is here.) Hopefully, the foundations’ ability to award multiple translators will keep thriving, thus creating opportunities for a continued and healthy mix (and rotation) of well-known translators, and translators who are slowly working up their repertoire or are only just emerging.
From the release:
One Fiction and one Non-Fiction prize will be presented at the annual Awards Ceremony on May 22 in New York. Each winning translator will receive a $10,000 prize funded by the Florence Gould Foundation.
The jury, which includes Linda Asher, David Bellos, Linda Coverdale, Emmanuelle Ertel and Lorin Stein, has selected the best English translations of French works published in 2013. The 10 finalists form a prestigious and diverse group that includes books by award-winning authors and important French works available in English and in the United States for the first time.
Though every press would, obviously, love to see their title on the docket, this year’s list of translators and titles really is a good one, and even includes one of our newest author-friends, Jean-Marie Blas de Roblès, who was at the University of Rochester last fall to kick off our Reading the World Conversation Series, and is a fantastic person and amazing writer.
More info on the Translation Prize can be found at the French-American Foundation’s website.
The full list of fiction finalists is:
The list of non-fiction finalists can be seen here.
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .