To mark the 50th anniversary of what many rock historians consider to be one of the most progressive years in the history of rock music, the institute’s “In Performance” series kicks off with a tribute concert to American rock.
The seismic shifts in America’s cultural and political landscapes are reflected in words and music in Hydrogen Jukebox, a music theatre piece that will be presented by Eastman Opera Theatre November 5 through 8 in the Eastman School of Music’s Kilbourn Hall.
From behind the microphone and onto the stage: International Theatre Program presents Under Milk Wood by Dylan Thomas
The International Theatre Program kicks off its 26th season on Thursday, Oct. 8 with a rare stage production of Dylan Thomas’ play, Under Milk Wood. Originally written for radio in the 1950s as a “play for voices,” Under Milk Wood was the only play Thomas ever completed.
It was the project that almost wasn’t: a rare 18th-century Italian Baroque organ sitting in an antique store in Italy about to be sold off for parts. This October, a four-day celebration will commemorate the 10th anniversary of the organ’s installation in the Memorial Art Gallery’s Fountain Court.
From September 17-26, students, faculty, staff, and alumni from across the University — including the After Hours student a capella ensemble above — will participate in the 2015 First Niagara Rochester Fringe Festival in downtown Rochester.
Soprano Renee Fleming ’83E (MM) has been appointed Distinguished Visiting Artist at the Eastman School. She will offer master classes, coaching sessions, lessons, and open talks and presentations for students on a recurring basis beginning this academic year.
John Covach, a prominent rock historian, founding director of the University’s Institute for Popular Music, professor and former chair of the Department of Music, and professor of music theory at the Eastman School of Music, has been named the inaugural director of the newly created Institute for Performing Arts.
Acquiring and displaying world art from the last 70 years presents viewers with expanding notions of what art is and can be, comparing the classical or “traditional” with more overt sociocultural issues that can bloom in the context of modern works.
Grotz, director of the University’s translation studies program, has been awarded a Literary Translation Fellowship by the National Endowment for the Arts to support the English translation of several poems by the Polish writer Jerzy Ficowski.