Following last week’s announcement that the Best Translated Book Awards won “The International Literary Translation Initiative Award”: as part of the inaugural LBF Book Excellence Awards, today we’re announcing the 2014 finalists for both poetry and fiction.
There’s a lot to consider with these longlists, but rather than overload these posts with commentary and observations, I’ll save that for other entries and just let the final twenty books stand on their own.
First up, the poetry selections, which were decided up by an amazing committee of poets and translators: Stefania Heim, Bill Martin, Rebecca McKay, Daniele Pantano, and Anna Rosenwong.
In alphabetical order:
Relocations: 3 Contemporary Russian Women Poets by Polina Barskova, Anna Glazova, and Maria Stepanova, translated from the Russian by Catherine Ciepiela, Anna Khasin, and Sibelan Forrester (Russia; Zephyr Press)
The Guest in the Wood by Elisa Biagini, translated from the Italian by Diana Thow, Sarah Stickney, and Eugene Ostashevsky (Italy; Chelsea Editions)
The Unknown University by Roberto Bolaño, translated from the Spanish by Laura Healy (Chile, New Directions)
White Piano by Nicole Brossard, translated from the French by Robert Majzels and Erin Mouré (Canada; Coach House Press)
Murder by Danielle Collobert, translated from the French by Nathanaël (France; Litmus Press)
In the Moremarrow by Oliverio Girondo, translated from the Spanish by Molly Weigel (Argentina; Action Books)
Paul Klee’s Boat by Anzhelina Polonskaya, translated from the Russian by Andrew Wachtel (Russia; Zephyr Press)
Four Elemental Bodies by Claude Royet-Journoud, translated from the French by Keith Waldrop (France; Burning Deck)
The Oasis of Now by Sohrab Sepehri, translated from the Persian by Kazim Ali and Mohammad Jafar Mahallati (Iran; BOA Editions)
His Days Go By the Way Her Years by Ye Mimi, translated from the Chinese by Steve Bradbury (Taiwan; Anomalous Press)
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
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Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
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