This week’s Read This Next title is Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic, edited by Eduardo Jimenez Mayo and Chris N. Brown, with an introduction from Bruce Sterling. This will be officially available from Small Beer Press is bringing this out in late-January, but it can be preordered here.
Here’s the description from Small Beer’s website:
This huge anthology of more than thirty all-original Mexican science fiction and fantasy features ghost stories, supernatural folktales, alien incursions, and apocalyptic narratives, as well as science-based chronicles of highly unusual mental states in which the borders of fantasy and reality reach unprecedented levels of ambiguity. Stereotypes of Mexican identity are explored and transcended by the thoroughly cosmopolitan consciousnesses underlying these works. It is a landmark of contemporary North American fiction that deserves a wide readership.
“Photophobia,” by Mauricio Monteil Figueiras.
You can tell from the start that “Photophobia” is more sophisticated than most stories in this collection—the vocabulary is complex, the concept unquestionably cerebral. An apocalyptic narrative is told through stream-of-consciousness storytelling that cleverly distracts from the story’s premise until the ending begins to shed some light on the narrator’s purpose and motives. The tale stands out in this populist collection of stories like a sore thumb, but I’m glad it was included. Here is a typical (and excellent) sentence:
“Eternity, he thought, pocket apocalypses: man has not learned the lessons of history, he is still the ignorant student who recorded his confusion in the caves of Altamira—it’s just that the caves have become tabloids.”
“The Drop” by Claudia Guillén.
In “The Drop,” a depressed young woman refuses to leave her room, watching drops of water fall to the floor. Her mother (the stated villain of the piece) claims that if the dripping stops, her child will die. A visiting doctor learns about himself as he studies the girl. That’s it, the entire premise. But the story is well-told, the ending surprising, and it’s the kind of eerie tale that sticks with you.
All of the past RTN featured titles can be found here.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .