24 March 14 | Kaija Straumanis

The latest addition to our Reviews section is a piece by Sara Shuman on Two Crocodiles by Fyodor Dostoevsky and Felisberto Hernández, translated (respectively) by Constance Garnett and Esther Allen, and out from New Directions.

Two Crocodiles, as the review also explains, is a short book comprised of two stories—one from Dostoevsky, the other from Hernández—with the same title, but with very different contents.

Sara, in turn, is new to the Three Percent fray, and stands out somewhat for her Ph.D. in Public Health (and is an editor for a public health journal). However, she is a great lover of world literature, and is no stranger to the likes of Daniel Sada, Laurent Binet, and Mia Cuoto, to name a few.

Here’s the beginning of Sara’s review:

This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The Crocodile,” hence Two Crocodiles.

The edition is slim and aesthetically pleasing; it fits in your jacket pocket, making it perfect for reading on the subway and impressing the people around you with its beauty and your class. Flip it over and you even find endorsements from David Foster Wallace (re: Dostoevsky) and Roberto Bolaño (re: Hernández). Sold.

I won’t compare and contrast the writing and themes from The Crocodile: An Extraordinary Incident to Dostoevsky’s more famous pieces (The Brothers Karamazov, Crime and Punishment), partly because it’s been done enough already, and partly because the goal of this book seems to be to juxtapose (or prove connected) the similarly-named stories of two very different authors from two very different literary worlds. In turn, Felisberto isn’t as well known as Dostoevsky, but literary giants Gabriel García Márquez, Julio Cortázar, and Italo Calvino all credit him as a major influence of their own work.

For the rest of the review, go here.


Comments are disabled for this article.
....
Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >