Shortly after the BTBA Fiction Longlist was announced, Tara Murphy and Jesse Eckerlin from Biblioasis came up with the idea of creating a “single-sentence sampler” featuring one line from each of the 25 longlisted titles. But I’ll let Jesse explain what developed:
This week’s post is for those of you who are eager for a taste of each work but might not have the time or resources to track down all the longlisted titles. Plus it’s also just plain fun. Open Letter’s Chad Post (the man behind the magic!) and Biblioasis decided to ask the publishers and translators of each book to select a single iconic or in some way representative sentence from their respective books: once compiled, the sentences would work as a kind of mini-anthology and stylistic shorthand to the year’s longlist. We then decided to go one further: why not post the respective sentences without attribution, embedding links to the pages of the individual books, and let the writing speak for itself?
The sentences below demonstrate a true breadth of narrative strategy and aesthetic sensibility. Some are aphoristic and ornate; some are brief and colloquial. Some are harrowing; some are funny, brusque, sarcastic. Some are only a few words long, creating direct portals to their overarching thematic concerns and pivotal plot points; and others are winding, piling clause upon clause like an intoxicated bricklayer, hinting at an elaborate structure whose dimensions can only be guessed at. Whatever the sentence or its intentions, each grants access to its corresponding text in a unique way. We hope a few pique your interest and persuade you to seek out the books from which they are excerpted.
Click here to read all 25 sentences.
My hope is that everyone reading this will be attracting to a line from a book that they might not otherwise have read . . . And that thanks to this one-sentence sampler, end up reading something that didn’t initially grab them.
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .