It’s always fun to talk with Bill—he knows more about international literature than almost everyone I know—and I think the conversation went pretty well.
Aside from this podcast though, I can’t recommend the World Books site enough. PRI’s The World—which is produced by PRI, the BBC, and WGBH in Boston—is one of my favorite public radio programs (one of the few, to be honest), and this site is quickly becoming one of the best world literature sites out there. A mix of interviews (with authors and translators), reviews, features, and podcasts, there’s always interesting new content on the World Books page (such as this interesting piece on Jordanian censorship).
I’ve linked to content from World Books a few times, and I hope this site will continue to grow and expand over the coming months and years.
In addition to this podcast with Bill Marx, I also had the honor of speaking with host Lisa Mullins about Reading the World for a short segment that will be broadcast later this week. It’s hard to judge these things, but I’m not sure I was quite on my game during this conversation, although I’m really glad that I recommended Nazi Literature in the Americas and suggested that kids read War and Peace and Don Quixote . . . Thanks to Harry Potter, modern kids are into monstrously long epics, right?
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .