Now that I’m going to be in the office until late-July, I’ll finally have a chance to start interviewing booksellers across the country about the future of bookstores and bookselling.
Coincidentally, I came across this article yesterday from The Bookseller (essentially the UK’s version of Publishers Weekly) about the “Reading the Future” conference that took place last week and “presented new consumer research into the reading and buying habits of 1,000 adults across the country.”
I haven’t read the entire study (it’s a mere $400 to purchase), but based on this article, the scope seems a bit different from the recent NEA Reading at Risk reports and similar “future of reading” studies that have come out in the U.S. in that the reported results of this survey focus more on how we’ll get and read books in coming years than the question of whether or not anyone will be reading.
Delegates heard from William Higham of agency Next Big Thing, which conducted the research. Higham reported that 56% of 18-24s think people will still be using bookshops in 20 years’ time. Looking deeper into 18-24 year olds’ reading habits, he found that 28% were favourable towards the idea of e-readers, compared to 9% of 65+ year olds, and 40% liked the idea of downloadable chapters of books, compared to 7% of 65+ year olds.
It’s unclear whether the 44% of 18-24s that were surveyed believe that a) no one will be buying books, or b) most sales will occur online, but either way this is a bit dismaying.
In terms of ebooks, these statements are rather interesting:
Speaking at a panel session after the research was presented, Transworld publisher Bill Scott-Kerr said the statistics about younger readers all pointed “to where we as publishers are going in the future”. He added: “We all know the book is a great piece of technology – you can’t drop e-books in the bath. But we as an industry are in a lot of trouble; we don’t know where we are going.”
“Should we follow the iTunes model of providing content and making money out of the hardware, like Amazon with the Kindle, or the Google model which is all about content? Looking at the level of indifference of 18-24 year olds has got to give us all cause for concern. They will be wanting to take a role in the devolution of content, and we must provide them with an environment to do it in.”
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .