Now that I’m going to be in the office until late-July, I’ll finally have a chance to start interviewing booksellers across the country about the future of bookstores and bookselling.
Coincidentally, I came across this article yesterday from The Bookseller (essentially the UK’s version of Publishers Weekly) about the “Reading the Future” conference that took place last week and “presented new consumer research into the reading and buying habits of 1,000 adults across the country.”
I haven’t read the entire study (it’s a mere $400 to purchase), but based on this article, the scope seems a bit different from the recent NEA Reading at Risk reports and similar “future of reading” studies that have come out in the U.S. in that the reported results of this survey focus more on how we’ll get and read books in coming years than the question of whether or not anyone will be reading.
Delegates heard from William Higham of agency Next Big Thing, which conducted the research. Higham reported that 56% of 18-24s think people will still be using bookshops in 20 years’ time. Looking deeper into 18-24 year olds’ reading habits, he found that 28% were favourable towards the idea of e-readers, compared to 9% of 65+ year olds, and 40% liked the idea of downloadable chapters of books, compared to 7% of 65+ year olds.
It’s unclear whether the 44% of 18-24s that were surveyed believe that a) no one will be buying books, or b) most sales will occur online, but either way this is a bit dismaying.
In terms of ebooks, these statements are rather interesting:
Speaking at a panel session after the research was presented, Transworld publisher Bill Scott-Kerr said the statistics about younger readers all pointed “to where we as publishers are going in the future”. He added: “We all know the book is a great piece of technology – you can’t drop e-books in the bath. But we as an industry are in a lot of trouble; we don’t know where we are going.”
“Should we follow the iTunes model of providing content and making money out of the hardware, like Amazon with the Kindle, or the Google model which is all about content? Looking at the level of indifference of 18-24 year olds has got to give us all cause for concern. They will be wanting to take a role in the devolution of content, and we must provide them with an environment to do it in.”
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .