The deadline to nominate people for this year’s Ottaway Award for the Promotion of International Literature (run by Words Without Borders) is coming up fast . . . If you want to nominate someone, you have to fill out the form below and email it to Karen Phillips (karen [at] wordswithoutborders.org) before Friday, May 2nd.
Here’s all the information:
The Ottaway Award
Named in honor of the first chair of Words without Borders, the James H. Ottaway, Jr. Award for the Promotion of International Literature recognizes individuals who have taken extraordinary steps to advance literature in translation in the United States. In accordance with the mission of Words without Borders, the awardee will be selected on the basis of his or her efforts to build cultural understanding through the publication and promotion of international literature. In 2013, esteemed book editor Drenka Willen received the inaugural Ottaway Award. The 2014 award will be presented at our annual gala dinner in New York on Tuesday, October 28, 2014.
We welcome your nomination of an editor, publisher, agent, philanthropist, or other translation advocate who has taken extraordinary steps to advance literature in translation in the United States. Please note that the Ottaway Award is not intended to recognize a particular work or works of translation. All nominations will be kept confidential.
Please complete the form below and submit it by Friday, May 2, 2014 via email to Karen Phillips (Karen [at] wordswithoutborders.org).
I. NOMINATOR INFORMATION
2. Affiliation (if applicable):
3. Contact email:
4. Contact phone:
II. NOMINEE INFORMATION
2. Affiliation (if applicable):
3. On the following page, please briefly describe the nominee’s achievements in promoting international literature:
The deadline for nomination submissions is Friday, May 2, 2014. Please send nominations and direct questions about award eligibility to Karen Phillips at firstname.lastname@example.org.
About Words without Borders
Founded in 2003, Words without Borders promotes cultural understanding through the translation, publication, and promotion of the finest contemporary international literature. Our publications and programs open doors for readers of English around the world to the multiplicity of viewpoints, richness of experience, and literary perspective on world events offered by writers in other languages. We seek to connect international writers to the general public, to students and educators, and to print and other media and to serve as a primary online location for a global literary conversation.
Every month we publish eight to twelve new works by international writers at wordswithoutborders.org. We have published works by Nobel Prize laureates J.M.G Le Clézio and Herta Müller, Mahmoud Darwish, Etgar Keret, Per Petterson, Fadhil Al-Azzawi, W.G. Sebald, and Ma Jian, as well as hundreds of new and rising international writers. To date we have published well over 1,700 pieces from 120 countries and 101 languages.
Words without Borders is building an education program that will provide educators with resources and content to more readily incorporate contemporary international literature into their classes. The program, Words without Borders Campus, will include a second Web site, already in development, as well as an ambitious author-classroom program that facilitates direct interactions between authors and students. We hope that in reaching out to students we can create a passion for international literature, a curiosity about other cultures, and inspire true world citizens.
In addition, we’ve partnered with publishing houses to release print anthologies. To date we have released Words without Borders: The World through the Eyes of Writers (Anchor Books); Literature from the “Axis of Evil”: Writing from Iran, Iraq, North Korea, and Other Enemy Nations (The New Press); The Wall in My Head: Words and Images from the Fall of the Iron Curtain (Open Letter); The Ecco Anthology of International Poetry; Tablet and Pen: Literary Landscapes of the Middle East; and our first e-anthology, Words without Borders: The Best of the First Ten Years.
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .