This is the twelfth Reading the World 2008 title we’re covering. (Almost half-way!) Write-ups of the other titles can be found here. And information about the Reading the World program—a special collaboration between publishers and independent booksellers to promote literature in translation throughout the month of June—is available at the official RTW website. There’s also a podcast discussing RTW available from World Books.
According to Contemporary Japanese Writers, Vol. 1:
Yoko Ogawa is one of the stars of Japanese literature who is anticipated to be “the next Haruki Murakami.” Of her works, over ten have been translated into French. In France, she is as popular as her predecessors Junichiro Tanizaki, Yasunari Kawabata, and Yukio Mishima.
The Diving Pool is her first title to be published in English, and came out from Picador earlier this year. (I reviewed it a few months back.) This is a collection of three novellas, including “Dormitory,” which was my favorite for its creepy, ambiguous quality. (Even the flap copy description for this story is great: “A woman nostalgically visits her old college dormitory on the outskirts of Tokyo, a boarding house run by a mysterious triple amputee with one leg.”)
Stephen Snyder is one of the best Japanese translators working today, and he did a marvelous job with this book. I know that before leaving Picador, Amber Quereshi signed on a few of Ogawa’s titles, all of which Snyder will be translating.
The next one—The Housekeeper and the Professor—is due out in October, which is written up in Contemporary Japanese Writers:
Hakase no aishita sushiki (The Gift of Numbers) marked a transformation within Ogawa. It is a tale about the kind and affectionate relationship between a math professor—whose memory lasts only eighty minutes as a result of injuries he sustained in a car accident—and his housekeeper and her child. A beautifully written masterpiece, it attracted an overwhelming number of readers in Japan. The warmth with which the author runs her eyes over these characters, and the delicacy with which she portrays them, succeeded in making Ogawa’s world into something more expansive and enchanting.
The title of hers that sounds most interesting to me though is Hotel Iris:
Fans were split on the sensual, sadomasochistic world inhabited by an old man and a girl in Hotel Iris. It also proved controversial when it was translated into French; even the well-respected newspaper Le Monde criticized it as being merely erotic. In the story, the girl feels sorry for the old man’s deteriorating body bound for death, and motivated by a certain sense of masochism, she gives herself to him.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .