30 April 14 | Kaija Straumanis

The latest addition to our Reviews section is by Tiffany Nichols on Masters and Servants by Pierre Michon, translated (illustrated, and with an introduction) by Wyatt Mason, and out from Yale University Press.

When’s the last time you read a book, and were so moved or inspired by what you read that you immediately hotfoot it to the closest bookstore to buy up all the rest of said author’s works? I, truly, can’t remember. Maybe Patrick Süskind’s works back in 2005? (By which logic, does that mean I’ve been only moderately inspired by authors I’ve read for almost the past 10 years? Yikes . . .)

Anyway, Tiffany (who, among many other things, runs a food and book blog, tiffany ist, and who should come to Rochester post-haste and make this for me) experienced just that after reading Michon’s work, something that in its own right is inspiring to once again contemplate, discover, and stock up on those authors whose works have moved you.

Here’s the beginning of her review:

We have all observed and appreciated art. However, when we experience art, it is generally in a bubble of our own experiences and preferences. More often than not, we may know the artist only in name and that he or she is noteworthy leading to the required appreciation. It is rare that we have knowledge of how the artists’ life experiences led to their ultimate creations and masterpieces. We know nothing of the subjects, the driving forces that resulted in the creation of the piece, nor the inner turmoil the artists endured to create their works.

Masters and Servants by Pierre Michon is an incredibly special literary work in that it truly does bring art to life. The work consists of five short stories focusing on the subjects of masterpieces and the artists’ relationships with the subjects of those pieces. Michon’s grasp of language and the art of storytelling is equal to the artistic ability of the artists he explores in Masters and Servants. These artists include Vincent van Gogh, Francisco Goya, Antoine Watteau, Claude Lorrain, and Lorentino.

For the rest of the review, go here.


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