In this week’s podcast we talk about the forthcoming World Cup of Literature and about some of the summer books that we’re both looking forward to reading. Almost all are translations; a few are authors you may have already heard of (Knausgaard); and others will be new to a lot of listeners. In our “Rants and Raves” section, Chad raves about a poem (?!—seriously, but it’s a really depressing one), and Tom takes down a particular aspect of the Internet.
And don’t forget that we have a dedicated podcast email address now, so send your own podcast-related rants, raves, and ideas to firstname.lastname@example.org.
Opening and closing this week’s podcast is Crouching Bees by Fight Like Apes off their new EP, Whigfield Sextape. (If you used to watch 120 Minutes, you’ll probably enjoy the video as well. It’s all smashing and fireworks, a fox costume and streams of paint.)
Michael Orthofer succinctly corrected all the bullshit I said about where the World Cup teams come from and how all that works. So, to clarify:
First: League strength has NOTHING to do with this (would be perverse if it did, since many leagues are filled with foreign players . . . )
Second: FIFA has six geographic confederations — the European one is UEFA, North/Central America CONCACAF, etc. (Check them out here.) These are actually pretty closely corresponding to the continents themselves; most of the old Soviet states (and Israel) are in the European confederation, but otherwise its geographically logical — the Gulf states in the Asian confederation, but the African Arabic speaking nations in the African section.
Anyway, the number of places each confederation gets is divvied up after each World Cup. International success factors into this to a great extent — but more success on the continental level than local (i.e. it doesn’t matter which European teams make the WC quarterfinals, but the number that do). Europe gets so many places because European teams always do so well in international tournaments (and vs. teams from other confederations in friendlies (which are weighted much less)) — helped also by the fact that it has so many nations (over 50 — not that sheer numbers do Africa much good). South America is the one with the greatest World Cup places vs. # of teams discrepancy — the confederation only has 10 teams! But South American teams (as a continental whole) do very, very well in international tournaments. The Wikipedia page on WC qualifying offers all the numbers and a good overview.
People complain about Africa (50+ teams) being underrepresented, but lets face it, they’ve never done anything internationally at the adult level (Nigeria’s under-21 is great, their overs, not so much). But the confederation that really gets too many places is CONCACAF — two strong teams (Mexico, and in recent years the US (though I still have a hard time taking it seriously — even non-qualifying Austria beat them last year)) and nothing else of note.
Results (especially at the WC — the only true international measure) really matter: if Africa or Asia put a team in the semis they’ll demand (and get) another place for their confederation at the next WC.
Hope all this doesn’t just confuse you more — but main point: league strength has nothing to do with international play (and strong continents (pretty much regardless of number of teams in confederation) get more WC places).
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .