9 June 14 | Kaija Straumanis

The latest addition to our Reviews section is by Christopher Iacono on The Gray Notebook translated by Peter Bush, and out from New York Review Books.

This is another 600+ page book that screams to be read—Pla’s tome describes life and observations in Barcelona, entries written by his twenty-year-old self in the early 1900s. And while Pla did rework and tweak his notebook over the almost fifty years he held on to it before publishing it, this promises to be a pretty candid view of what life was like in Spain then (including during the Spanish Flu, no less), and with a youthful critique and sense of certain sense of humor. And not to be overly book-reader-cocky about essay-autobiographies, but if NYRB published it, it’s obviously going to be a good read.

So add this one to your summer lists! And now, here’s a part of Chris’s review:

Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist as “the greatest realist writer of all time” . . .

Pla shows what he has learned from Proust in The Gray Notebook, the first of his works to be translated into English. (Archipelago Books will be releasing another one of his books in the fall.) In fact, The Gray Notebook can be seen as Pla’s version of In Search of Lost Time, although, interestingly enough, Proust had only published two of the seven books at the time Pla had originally written this. Even though Proust’s name has come up a lot lately (thanks to writers like Haruki Murakami and Karl Ove Knausgaard), comparing him with Pla seems appropriate.

Even though Pla initially wrote these journal entries when he was in his early twenties, he returned to them decades later, so, like Proust, he was looking back upon his youth during a time when it had been so far away from him. Pla’s writing also shares some other similarities with Proust, such as his eye for detail, but the Catalan is no imitator: Where Proust favored long, digressive sentences about the French aristocrats that populated his world, Pla offers fragments of the less fortunate town and city folk that surrounded him. Throughout these fragments, Pla’s humor and wit shine, even during the darkest moments.

For the review in its entirety, go here.


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