This is another 600+ page book that screams to be read—Pla’s tome describes life and observations in Barcelona, entries written by his twenty-year-old self in the early 1900s. And while Pla did rework and tweak his notebook over the almost fifty years he held on to it before publishing it, this promises to be a pretty candid view of what life was like in Spain then (including during the Spanish Flu, no less), and with a youthful critique and sense of certain sense of humor. And not to be overly book-reader-cocky about essay-autobiographies, but if NYRB published it, it’s obviously going to be a good read.
So add this one to your summer lists! And now, here’s a part of Chris’s review:
Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist as “the greatest realist writer of all time” . . .
Pla shows what he has learned from Proust in The Gray Notebook, the first of his works to be translated into English. (Archipelago Books will be releasing another one of his books in the fall.) In fact, The Gray Notebook can be seen as Pla’s version of In Search of Lost Time, although, interestingly enough, Proust had only published two of the seven books at the time Pla had originally written this. Even though Proust’s name has come up a lot lately (thanks to writers like Haruki Murakami and Karl Ove Knausgaard), comparing him with Pla seems appropriate.
Even though Pla initially wrote these journal entries when he was in his early twenties, he returned to them decades later, so, like Proust, he was looking back upon his youth during a time when it had been so far away from him. Pla’s writing also shares some other similarities with Proust, such as his eye for detail, but the Catalan is no imitator: Where Proust favored long, digressive sentences about the French aristocrats that populated his world, Pla offers fragments of the less fortunate town and city folk that surrounded him. Throughout these fragments, Pla’s humor and wit shine, even during the darkest moments.
For the review in its entirety, go here.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .