Over at The Guardian the most recent entry to their “Top 10 Book Lists” (which is exactly what it sounds like—top 10 lists selected by famous authors, critics, musicians, etc.) is Catherine Sampson’s list of top 10 books on Beijing. As she mentions, many of these books are “rich in satire, and in metaphors for political oppression. Most of them are written by Chinese writers who have chosen to live abroad in order to write freely about their country.”
There are a number of recent titles on the list that have gotten a lot of play recently, including Beijing Coma, Serve the People! and I Love Dollars, but the whole list looks pretty interesting, and the brief description she provides for each book is really useful.
Here’s the complete list:
1. Beijing Coma by Ma Jian
2. Please Don’t Call Me Human by Wang Shuo
3. A Thousand Years of Good Prayers by Yiyun Li
4. The Uninvited by Yan Geling
5. The Crazed by Ha Jin
6. The Last Empress by Anchee Min
7. Serve the People! by Yan Lianke
8. I Love Dollars by Zhu Wen
9. The Dragon’s Tail by Adam Williams
10. Beijing Doll by Chun Sue
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
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For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
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In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .