Over at The Guardian the most recent entry to their “Top 10 Book Lists” (which is exactly what it sounds like—top 10 lists selected by famous authors, critics, musicians, etc.) is Catherine Sampson’s list of top 10 books on Beijing. As she mentions, many of these books are “rich in satire, and in metaphors for political oppression. Most of them are written by Chinese writers who have chosen to live abroad in order to write freely about their country.”
There are a number of recent titles on the list that have gotten a lot of play recently, including Beijing Coma, Serve the People! and I Love Dollars, but the whole list looks pretty interesting, and the brief description she provides for each book is really useful.
Here’s the complete list:
1. Beijing Coma by Ma Jian
2. Please Don’t Call Me Human by Wang Shuo
3. A Thousand Years of Good Prayers by Yiyun Li
4. The Uninvited by Yan Geling
5. The Crazed by Ha Jin
6. The Last Empress by Anchee Min
7. Serve the People! by Yan Lianke
8. I Love Dollars by Zhu Wen
9. The Dragon’s Tail by Adam Williams
10. Beijing Doll by Chun Sue
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .