On June 2nd, Luis Negrón’s Mundo Cruel (trans. Suzanne Jill Levine, pub. Seven Stories Press) was named recepient of the 2014 Lambda Literary Award for Gay General Fiction. Of great note is that this is the first time in Lambda Literary Award history (the first award ceremony was held in 1989) that a work of fiction in translation has won an award.
From the Seven Stories press release:
Nine short stories open a door into working class Santurce, Puerto Rico, where shoddy medical offices, Catholic churches, Mormon temples, and Santeria storefronts line the sunbaked streets. Here, a bumbling prostitute-turned-fugitive bewilderingly avoids capture. Back-biting mothers hand down judgment on their neighbors and the world at large from their front lawns. A desperate dog-owner will do anything to have his precious animal sent to a taxidermist. A young Chosen One with a curious gift helps his fellow parishioners find God.
Mundo Cruel, Luis Negrón’s debut book, elegantly presents to its readers a world both tragic and outrageous. Masterfully satirical with a discrete solemnity at its core, Mundo Cruel’s most remarkable element is its language. Several of its stories feature unnamed protagonists brought to life by their speech—colloquial, self-incriminating, and idiosyncratic—revealing Negron’s mesmerizing talent for conjuring the spoken word in all its subtlety.
LUIS NEGRÓN was born in the city of Guayama, Puerto Rico, in 1970. He is co-editor of Los otros cuerpos, an anthology of queer writing from Puerto Rico and the Puerto Rican diaspora. The original Spanish language edition of Mundo Cruel, first published in Puerto Rico in 2010 by Editorial La Secta de Los Perros, then by Libros AC in subsequent editions, is now in its third printing. It has never before appeared in English. Negrón lives in Santurce, Puerto Rico.
SUZANNE JILL LEVINE’s acclaimed translations, which include works by Guillermo Cabrera Infante (Three Trapped Tigers) and Manuel Puig (Betrayed by Rita Hayworth), have helped introduce the world to some of the icons of contemporary Latin American literature. She is also editor of Penguin Classics’ essays and poetry of Jorge Luis Borges and the author of The Subversive Scribe: Translating Latin American Fiction. She is the winner of PEN USA’s Translation Award 2012 for her translation of Jose Donoso’s The Lizard’s Tale.
For a great interview with Suzanne Jill Levine on Mundo Cruel, go here.
For information on the history of the award, go here.
For more information on the award categories, go here.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .