Just found out that _Gulf Coast Magazine is launching a new translation prize—one that might interest some of you:
Gulf Coast is now accepting entries for the inaugural Gulf Coast Translation Prize. In 2014, the contest is open to poetry in translation. The winner receives $1,000 and publication in the journal. Two honorable mentions will also appear in issue 27.2, due out in April 2015. All entries will be considered for paid publication on our website as Online Exclusives. This year’s contest will be judged by Jen Hofer. A Los Angeles-based poet, translator, social justice interpreter, teacher, and urban cyclist. Jen Hofer is co-founder with John Pluecker of the language justice and literary activism collaborative Antena.
Poetry: Send up to 5 pages of poetry translated into English. Preference will be given to contemporary work published within the last fifty years. As part of your submission, include the text in its original language, provide a brief synopsis (no more than 200 words) of the author you are translating, and indicate whether you have, and can grant us, permission to publish the original work and the translation. If you have rights to reprint the original text in the U.S., please let us know that as well.
All the details can be found here.
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .