Just found out that _Gulf Coast Magazine is launching a new translation prize—one that might interest some of you:
Gulf Coast is now accepting entries for the inaugural Gulf Coast Translation Prize. In 2014, the contest is open to poetry in translation. The winner receives $1,000 and publication in the journal. Two honorable mentions will also appear in issue 27.2, due out in April 2015. All entries will be considered for paid publication on our website as Online Exclusives. This year’s contest will be judged by Jen Hofer. A Los Angeles-based poet, translator, social justice interpreter, teacher, and urban cyclist. Jen Hofer is co-founder with John Pluecker of the language justice and literary activism collaborative Antena.
Poetry: Send up to 5 pages of poetry translated into English. Preference will be given to contemporary work published within the last fifty years. As part of your submission, include the text in its original language, provide a brief synopsis (no more than 200 words) of the author you are translating, and indicate whether you have, and can grant us, permission to publish the original work and the translation. If you have rights to reprint the original text in the U.S., please let us know that as well.
All the details can be found here.
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .