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And if you missed the one that went out earlier this week, you can see the prettified version here, or just read it all below.
In almost every issue of Publishers Weekly—the trade magazine for booksellers, publishers, agents, and authors—the editors select one title to promote as the “Pick of the Week.” It’s usually something predictably large and respectable (like the new David Mitchell book, for example), but in the July 14th issue it was Open Letter’s The Last Days of My Mother by Icelandic author Sölvi Björn Sirgdsson!
The “starred” review, subtitled “Goodbye to All That,” had this to say:
The setup: Hermann’s girlfriend of seven years leaves him for a French dentist, then his native Iceland’s banking system goes belly-up, and finally his 63-year-old mother, Eva, is diagnosed with a rare and terminal cancer. The punch line: a bitterly laugh-out-loud novel of Nordic misery. [. . .] Sigurdsson’s novel successfully straddles the line between impious gallows humor and a heartfelt depiction of a son’s love for his mother.
Because we switched distributors this summer to Consortium (sorry, bit of inside baseball, but this is a really good thing for Open Letter), we ended up releasing this a couple months early, so your local indie bookseller should have copies, as does your favorite online retailer. Or, you can always order it directly from our website either as a single book, or as part of a subscription . . .
With the official publication date of The Last Days of My Mother coming up in August—and to celebrate the high praise it’s already receiving—if you take out a (or renew your existing) 12-month subscription before the end of August, we’ll throw in two extra books for free. So: Over about the next 14 months, you’ll receive a big 12 Open Letter titles for the same low price of $100—and that even includes free shipping within the U.S..
This is the cheapest and best way to keep up with what’s going on in international literature. By signing up now, you’ll not only get The Last Days of My Mother, but also great titles like A Thousand Forests in One Acorn: An Anthology of Spanish-Language Fiction (probably the prettiest and most impressive book we’ve ever published), a thrilling new book from Mathias Énard (the author of Zone, our first book to sell-out in just over a month), and The Man Between, a unique, intelligent, moving collection of pieces honoring the life and activism of one of the greatest translators of all time, Michael Henry Heim.
Again: Subscribe before August 31st and you’ll get 12 books, instead of the usual 10, for $100 even.
The In case you missed it, this past month Three Percent hosted the first ever World Cup of Literature, which pitted a recent book from each of the 32 countries that qualified for this year’s Real World Cup in a head-to-head knockout tournament.
Each match was written up by a reader or reviewer or translator or bookseller explaining why one of the two titles beat the other—and by what score. The pieces are incredibly fun to read and can help guide you to interesting books from all of the various World Cup counties.
In the end it came down to four literary powerhouses: Chile (represented by Roberto Bolaño’s By Night in Chile), Germany (W. G. Sebald’s Austerlitz), Mexico (Valeria Luiselli’s Faces in the Crowd), and the United States (David Foster Wallace’s The Pale King).
If you want to find out who won, you’ll have to click here.
(We have to keep up the suspense somehow!)
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .