Interesting article in The Guardian (one of the best papers for arts and books coverage, in my opinion) on Elias Khoury and his fears about chaos in Lebanon.
Here’s a brief description of the book:
Khoury says his aim in Gate of the Sun was to write a great love story. As Dr Khaleel, a paramedic in the makeshift Galilee hospital in Beirut’s Shatila refugee camp, keeps vigil by the bedside of Yunis, a comatose Palestinian resistance fighter of his father’s generation, he tells stories from the fighter’s life, and his own, like a Sheherazade trying to stave off death. Soon after 1948, when the Lebanon-Israel border was still porous, Yunis would meet his wife Naheeleh in the cave in Galilee that gives the novel its title. Along with everyday tales of flight and dispossession, the book traces the enmeshed histories of Lebanon and Palestine, from the 1930s to the 1990s, centring on the 1982 massacres in the Sabra and Shatila camps.
Yalo, a new novel by Khoury is forthcoming from Archipelago Books. And hopefully an excerpt will be available online soon . . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
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Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
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Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .