The Bread Loaf Translators’ Conference (which should’ve been named “Translation Loaf”) is a great new initiative that was conceived of and implemented by Jennifer Grotz, poet, translator, assistant director of the Bread Loaf Writers’ Conference, and Open Letter’s poetry editor, and one that a lot of you will probably want to attend.
The Bread Loaf Translators’ Conference is an annual, week-long conference based on the Bread Loaf Writers’ Conference model that’s designed to provide training and community to beginning as well as experienced literary translators. A natural complement to two of Middlebury College’s signature programs—the Writers’ Conference and the renowned Middlebury Language Schools—this conference aims to strengthen the visibility and access to high quality literary translations in the United States and to acknowledge that translators require the same training and skills as writers.
2015 DATES AND LOCATION
Monday, June 1—Sunday, June 7, 2015. The conference will take place at the Bread Loaf Campus of the Middlebury College in Ripton, Vermont.
Anyone who’s been to Middlebury can back me up on this: that’s one of the most beautiful places in the country. It’s worth the price of admission to spend a week in that gorgeous atmosphere, where cell phones don’t get service, where the air smells like nature, and where there will be dozens of the best translators in the world.
The conference will incorporate the Bread Loaf Writers’ Conference model of small, focused, genre-based workshops coupled with lectures and classes focusing on the art of literary translation. Workshops will be limited to ten participants so that each manuscript will receive individual attention and careful critique. All participants will also meet individually with their workshop leader to amplify and refine what was said in the workshop itself.
This week-long conference of workshops, classes, lectures, readings, and discussions is for translators who want to improve their literary craft; for students mastering a foreign language and wanting to begin acquiring skills in the art of translation; for teachers interested in bringing the practice of literary translation into their classrooms; and for anyone wanting to learn more about and participate in the ever-growing community of literary translators.
Now, here’s the real selling point—the faculty.
Acclaimed and award-winning translators Susan Bernofsky, Maureen Freeley, Jennifer Grotz, Bill Johnston, and Don Share will constitute the faculty in this inaugural year of the conference. In addition to their literary accomplishments, each faculty member has been specifically chosen for his or her skill at guiding developing translators in a given genre.
Information about applying and the cost ($2,000) can be found on the Translation Loaf website. I’ll definitely be there talking to people about publishing their translations and working with editors, and hopefully I’ll see a lot of you there as well!
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .