This week is probably going to be another slow one for Three Percent, but for good reason. Bragi Olafsson is in town and we’ve stacked up a number of events and readings, beginning tonight. Here’s his official schedule:
Reading and Discussion on
Monday, October 6th, 8pm
Karpeles Manuscript Library
220 North St.
Reading the World Conversation Series
with Bragi and Lytton Smith
Tuesday, October 7th, 6pm
Rush Rhees Library
University of Rochester
(Tuesday morning we’ll also be on WHAM 13 again, which we’ll post as soon as possible. I’m convinced that this is the only TV in America that has had literary authors from Croatia and Iceland on their morning program in one month.)
Bragi Olafsson and Dubravka Ugresic
Wednesday, October 8th, 7pm
52 Prince St.
New York, NY
Idlewild Lunchtime Series: Bragi Olafsson
Thursday, October 9th, 12:30 PM
12 W 19th St. (near 5th Ave.)
New York, NY
Bragi Olafsson in conversation with Mark Binelli
Thursday, October 9th, 7 pm
536 West 112th St.
New York, NY
Bragi Olafsson and Bill Holm
Saturday, October 11th
Twin Cities Book Festival
Minneapolis Community & Technical College
Reading and Discussion with Bragi
Tuesday, October 14th, 7:30 pm
Elliot Bay Book Co.
101 South Main St.
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .