This week is probably going to be another slow one for Three Percent, but for good reason. Bragi Olafsson is in town and we’ve stacked up a number of events and readings, beginning tonight. Here’s his official schedule:
Reading and Discussion on
Monday, October 6th, 8pm
Karpeles Manuscript Library
220 North St.
Reading the World Conversation Series
with Bragi and Lytton Smith
Tuesday, October 7th, 6pm
Rush Rhees Library
University of Rochester
(Tuesday morning we’ll also be on WHAM 13 again, which we’ll post as soon as possible. I’m convinced that this is the only TV in America that has had literary authors from Croatia and Iceland on their morning program in one month.)
Bragi Olafsson and Dubravka Ugresic
Wednesday, October 8th, 7pm
52 Prince St.
New York, NY
Idlewild Lunchtime Series: Bragi Olafsson
Thursday, October 9th, 12:30 PM
12 W 19th St. (near 5th Ave.)
New York, NY
Bragi Olafsson in conversation with Mark Binelli
Thursday, October 9th, 7 pm
536 West 112th St.
New York, NY
Bragi Olafsson and Bill Holm
Saturday, October 11th
Twin Cities Book Festival
Minneapolis Community & Technical College
Reading and Discussion with Bragi
Tuesday, October 14th, 7:30 pm
Elliot Bay Book Co.
101 South Main St.
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .