The latest Open Letter Newsletter is now available online.
As an update: the Vilnius Poker giveaway is now closed. We received a lot of submissions and will be sending out e-mails to the three winners (and all other entries) this afternoon.
Another book featured in the newsletter is Fonseca’s The Taker and Other Stories, which was recently reviewed on Literary License, where Gwen Dawson had this to say:
The Taker and Other Stories, by Brazilian author Rubem Fonseca, is a collection of short stories examining death in all its forms: murder, suicide, road kill (animal and human), medical emergencies, sickness, and old age. One protagonist laments, “Man is a solitary animal, an unhappy animal, and only death can fix us.” This thought echoes throughout this collection.
It was also reviewed by Nancy Yanes Hoffman:
Although Fonseca steadfastly refuses to discuss the meaning of his stories, he once said of himself, “Perhaps I am ‘The Taker.’ ” He also says, “A writer should have the courage to show what most people are afraid to say.” Fonseca’s bitterly grim stories, mostly in the first person, show the skull beneath the skin in Rio’s violent world. Tough to read, they analyze Rio’s gratuitous criminality as a symptom of universal hatred among people of every class.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .