This week, the fifth New Literature from Europe with a special focus on graphic novels:
Celebrating its fifth anniversary, the literary series New Literature from Europe this year takes on the burgeoning world of graphic novels. Graphic Novels from Europe presents five days of discussions, exhibits and book signings, to take place in New York from November 17 to November 21, 2008.
Please join us to meet artists Jaromír Švejdík aka Jaromir 99 and Jaroslav Rudiš (Czech Republic), David B. and Nicolas De Crécy (France), Isabel Kreitz (Germany), Igort (Italy) and Max (Spain).
The first discussion took place yesterday, but there are still a number of interesting events on the schedule, including a book signing and presentation on Thursday at the Museum of Comic and Cartoon Art and a discussion with Nicolas de Crecy on Friday at the Maison Française.
I don’t know much—or anything—about European graphic novels, but I’m always impressed by the this New European Lit festival that the Goethe-Institut New York, Istituto Italiano di Cultura, Cultural Services of the French Embassy, Instituto Cervantes, and Czech Center New York put together. It’s an admirable undertaking, and a nice festival to tide everyone over until PEN World Voices.
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .