Dr. Jing Bartz: The minister from the General Administration of Press and Publication (GAPP) approved the first list of translation funding shortly before the Frankfurt Book Fair. The amounts range from 2,000 to 7,000 euros per title. Just to give a few examples: Berlin Verlag has bought a short novel by a young Chinese author, “Im Laufschritt durch Peking”, which it plans to make one of its key titles in 2009. This is about a migrant worker who comes to Beijing in search of wealth and love. S. Fischer Verlage are at the moment preparing Yu Hua’s lengthy family novel “Die Brüder”, a panoramic picture of Chinese society from the fifties through to the present day. At Suhrkamp, Mo Yan’s novel “Sandelholzfolter” is already being translated: a historical novel that takes readers back to the days of Germany’s colonial presence in China.
Ambitious literature that conveys life and what it feels like to live in China and does so interestingly and with understanding, goes down well with German-language publishing companies. As well as contemporary literature, some classical works will probably also receive funding.
The application process is simple, needing no more than completion of a one-page form and presentation of the licence agreement. Apart from a rejection, there’s nothing to lose. I would advise all German and English-language publishing companies to take advantage of this funding opportunity.
There’s also an interview with Uwe Tellkamp, author of Der Term (The Tower), a 1000-page novel that won the 2008 German Book Prize. Surprisingly, Tellkamp isn’t the most loquacious of interviewees:
Frankfurt Book Fair: In the industry, you were already the favourite once the shortlist was announced. Did you really not expect at all to win the prize?
Uwe Tellkamp: No.
The whirl of your novel – dense, eloquent and intense, and showing borrowings from your own life – sweeps the reader along with it. Were you also caught up in a whirlwind of past events as you wrote, or was there such a thing as “normal everyday life” for you?
In an interview at the Book Fair, you said that a book tells you when it’s finished and that as the author, you have to be able to listen to that. For “Der Turm”, it took almost 1,000 pages before saying “stop”. Did that surprise you?
Still no reference to the sale of the English-language rights . . . Hopefully someone will pick this up.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .