9 March 09 | Chad W. Post

I just found out last week that the Harvard Book Store selected The Conqueror by Jan Kjaerstad as part of its Select Seventy program. As implied by the name, this program consists of seventy books selected by booksellers and buyers—all of which are sold at a 20% discount for the month.

Seeing any of our books on a “staff recommends” table gets me really excited, but this particular program gave me an idea . . . Since Three Percent is very much in favor of the continued survival of independent bookstores, each month we’re going to pick one and link to its online ordering system for all of the titles we feature/review on the site. And as the instigator of the idea, this month we’re going to focus on the Harvard Book Store.

And continuing with Open Letter titles for a second, we’ve gotten a lot of great coverage for our books recently, including a very positive reviews of Vilnius Poker by Ricardas Gavelis in both the Harvard Crimson and Literary License.

From the Harvard Crimson:

This ambitious endeavor is admirably achieved. Gavelis’ writing is a paragon of surrealist creativity and an intensely interesting read, filled with effortlessly intelligent prose and a wryly macabre voice.

And from Literary License:

Vilnius Poker is dense with ideas, literary allusions, historic events, mythological references, symbolism, and linguistic and philosophical theories. It invites and rewards careful study. Elizabeth Novickas’s nimble translation delivers the stylistic diversity that must have been intended by Gavelis. Just as beautiful and brutal elements coexist in the narrative, the prose is alternately poetic and crude.

Also, one of the best reviews of Fonseca’s The Taker and Other Stories recently came out in the London Review of Books. Daniel Soar’s review is incredibly thoughtful and complete, dealing with the violence in Fonseca’s stories in a very intelligent fashion. Here’s a short quote:

In Brazil, which since the 1970s has seen more urban violence than any other country in the world, no writer has dealt with the subject more plainly than Rubem Fonseca. In 1976 his bestselling short story collection Feliz Ano Novo (“Happy New Year”) was censored by a court acting for the military government. Five of the stories were banned, and the ban on the title story wasn’t revoked until 1989. [. . .]

The judges in the censorship case argued that the story might lead the average Brazilian astray. That would be a wholly ludicrous statement if applied to a piece of fiction written, say, in France, but “Feliz Ano novo” is precisely about what it claims is the average Brazilian; and it’s this claim that’s subversive, not the violence.

And just so it’s clear, all three of these books are currently in stock at the Harvard Book Store, and can be ordered online . . .


Comments are disabled for this article.
....
The Antiquarian
The Antiquarian by Gustavo Faverón Patriau
Reviewed by P.T. Smith

Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .

Read More >

Elsewhere
Elsewhere by Eliot Weingerber (ed.)
Reviewed by Grant Barber

What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .

Read More >

The Hen Who Dreamed She Could Fly
The Hen Who Dreamed She Could Fly by Sun-mi Hwang
Reviewed by Chris Iacono

Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .

Read More >

Sankya
Sankya by Zakhar Prilepin
Reviewed by Kseniya Melnik

When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .

Read More >

Stalin is Dead
Stalin is Dead by Rachel Shihor
Reviewed by Tiffany Nichols

Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .

Read More >

Paradises
Paradises by Iosi Havilio
Reviewed by Andrea Reece

Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.

The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .

Read More >

Two Crocodiles
Two Crocodiles by Fyodor Dostoevsky; Felisberto Hernández
Reviewed by Sara Shuman

This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .

Read More >

Navidad & Matanza
Navidad & Matanza by Carlos Labbé
Reviewed by J.T. Mahany

I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.

Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .

Read More >

Zbinden's Progress
Zbinden's Progress by Christoph Simon
Reviewed by Emily Davis

For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .

Read More >

Commentary
Commentary by Marcelle Sauvageot
Reviewed by Peter Biello

Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .

Read More >