25 March 09 | Chad W. Post

As officially announced at Bacacay, (the official blog of the Polish Cultural Institute in New York) Jerzy Pilch’s The Mighty Angel has been selected as the September title for the European Book Club.

It’s an honor to have one of our titles selected for this program, especially since this is the first time the Polish Cultural Institute is participating. (And it’s super-cool that the book club discussion will be taking place in the Solas Bar . . . )

If you’re not familiar with the European Book Club, here’s a nice write-up that Bill posted at Bacacay:

Founded in 2008, the European Book Club is a collaboration between a handful of New York-city based European cultural institute: the Austrian Cultural Forum, the Czech Center, the French Institute Alliance Française, the Goethe-Institut, the Istituto Italiano di Cultura, the Polish Cultural Institute, and the Instituto Cervantes. Each month, a different participating institute hosts a book club meeting, which is then “mirrored” at the Brooklyn Public Library later the same month—a measure just introduced due to the overwhelming popularity of the Book Club last year and the fact that so many people had to be turned away. So, for instance, Jachým Topol’s classic City Sister Silver will be discussed tonight at the Czech Center, and the mirror session will take place tomorrow night in Brooklyn. Next month, Muriel Barbery’s acclaimed novel The Elegance of the Hedgehog will be hosted by the French Institute Alliance Française on April 13, and reproduced in Brooklyn on April 21. We’ll be holding our session in September at Solas Bar (appropriately enough), in the same second storey room of this fine East Village establishment where the St. Mark’s Bookshop reading series takes place. If you’ll be in New York then, make sure to check back here or at http://www.europeanbookclub.org sometime around the middle of August for information on how to sign up. Registration for the French session next month is already open.


Comments are disabled for this article.
....
Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

Read More >

Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

Read More >

The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

Read More >

Mr. Gwyn
Mr. Gwyn by Alessandro Baricco
Reviewed by Paul Doyle

Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .

Read More >

Bombay Stories
Bombay Stories by Saadat Hasan Manto
Reviewed by Will Eells

I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .

Read More >

The Gray Notebook
The Gray Notebook by Joseph Pla
Reviewed by Christopher Iacono

Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >