Monica Carter’s piece on Mr Dick or The Tenth Book is the latest addition to our review section.
In addition to checking our Monica’s review, I’d also recommend checking out her recently redesigned web publication Salonica World Lit. Included in this redesign—which looks great—is an announcement about E. Lire an online literary journal she’s launching that will include translated works of fiction, poetry, essays, and literary criticism. Click the link above for more details.
Mr Dick is French bookseller Jean-Pierre Ohl’s debut novel and was released by Dedalus Books earlier this year. Translated from the French by Christine Donougher, the book has received some nice attention in the UK, including this interview with the author.
Monica’s review confirms that this is an interesting book worth checking out:
Jean-Pierre Ohl has written a novel that is at once a curious and adept mix of homage to Charles Dickens, send-up of literary scholarship, and mystery. Generally, I’m leery of books based on literary figures or borrowing heavily from a previous book to bolster a premise, but Mr. Ohl, a bookseller from Bordeaux, France, manages to rise above the common pitfalls of not only a first novel, but of other devices used when one exploits a classic text. Mr Dick or the Tenth Book is inspiring and challenging with its eclectic mix of narrators—François Daumal, the down-trodden boy turned seemingly failed scholar who is obsessed with Dickens, Évariste Borel whose journal tells of his time spent with Dickens during his final days, and Arthur Conan Doyle’s account of a séance where Wilkie Collins and Robert Louis Stevenson are present to contact the spirit of Dickens himself—that keep us guessing even when we are not sure what we are guessing about. . . .
Click here for the rest of the review.
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .
Christa Wolf’s newly-translated City of Angels is a novel of atonement, and in this way the work of art that it resembles most to me is not another book, but the 2003 Sophia Coppola film Lost in Translation. Like that. . .
French author—philosopher, poet, novelist—de Roblès writes something approaching the Great (Latin) American Novel, about Brazilian characters, one of whom is steeped in the life of the seventeenth century polymath (but almost always erroneous) Jesuit Athanasius Kircher. Eleazard von Wogau, a. . .
A rich, beautifully written, consistently surprising satire, Yan Lianke’s Lenin’s Kisses boasts an elaborate, engrossing plot with disarming twists and compelling characters both challenged and challenging. It leads the reader on a strange pilgrimage—often melancholy but certainly rewarding—through a China. . .