A few of Juan Marse’s books are available in the UK, but all the U.S. versions appear to be out of print. Which is a shame—based on the report below, The Fallen sounds spectacular:
Official Censorship Report of 1973 on Si te dicen que cai (The Fallen)
Author: Juan Marse
Title: Si te dicen que cai [The Fallen]
Does it attack the Dogman? YES. Pages 277-27
Franco’s Regime or its institutions? YES. Pages 252-274-291-309
The Catholic Church or its ministers? YES. Pages 17-21-75-155-178-202
The morals? YES. Pages 177-178-225-292-304-305-335
Those who collaborate with or have collaborated with the regime? YES.
REPORT AND OTHER OBSERVATIONS:
We consider this novel to be simply impossible to sanction. We have marked insults to the yoke and arrows [Falangist symbols], which are referred to as “the black spider” on pages 17-21-75-155-178-202-252-274-291-309. Scenes of torture by the Civil Guard or by Falangists on pages 177-178-225-292-304-305-335. Inadmissible allusions to the Civil Guard on pages 277-278. Obscenities and pornographic scenes on pages 19-21-25-26-27-28-29. Political scenes on 29-80 and grave irreverence on 107.
But even once all that is taken out, the novel is still pure garbage. It is the story of some boys in the period after the Civil War who live in deplorable conditions, they end up becoming Commie gunmen, stick-up artists, and then dying . . . all that mixed with whores, faggots, people of ill repute . . . Perhaps it is very realistic but it gives a very distorted, almost calumnious image of post-war Spain. Even if we just blacked out every reference to jerking off and hand-job whores in the movie theaters we’d be left with less than half the novel.
Therefore, we recommend its REJECTION
Madrid, October 20th, 1973
Reader No, 6
The specific reference to “hand-job whores in the movie theaters” is classic—and makes a perfect blurb for the book . . . (Thanks to the Gloria and the Carmen Balcells Agency for letting us run this.)
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
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There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .