This is already old news, but last week Jessica Stockton Bagnulo announced she had signed the lease and Greenlight Bookstore now has an official address: 86 Fulton Street in Fort Greene. If all goes according to plan, the store will officially open in September.
It’s great to see this finally happen . . . For as long as I’ve known Jessica, she’s been working on her plan to open her own bookstore. She’s worked at a number of indie stores in New York, wrote extensive strategic plans (which even won her some cash), and thought this all through very, very carefully.
I have complete faith that Jessica will do everything right in terms of launching this store (like displaying a lot of Open Letter titles, right Jessica? Right?), and from what I’ve heard she nailed down the perfect location. Congrats to Jessica and be sure to check out the Greenlight Bookstore blog for further updates.
In stark contrast to Jessica’s wonderful news comes this statement from 3P favorite, Karl Pohrt:
On the advice of my accountant and my business manager, I am closing Shaman Drum Bookshop June 30. Despite a first rate staff, a fiercely loyal core of customers, a very decent landlord and my own commitment to the community of arts and letters in Ann Arbor, it is clear to me that the bookshop is not a sustainable business.
In spite of the downturn in the economy, Ann Arbor continues to be an excellent book town. There are wonderful independent stores here (Crazy Wisdom, Nicolas’s Books), fine specialty book stores (Vault of Midnight, Aunt Agatha’s) and great used bookshops (Dawn Treader, West Side Books, Motte & Bailey). They need your support.
Over a year ago we began a process to become a non-profit center for the literary arts. I am decoupling Shaman Drum Bookshop from the Great Lakes Literary Arts Center, which should simplify and streamline our IRS application. I will pursue this new venture after we close the store.
Shaman Drum Bookshop has been here for 29 years. We had 28 good years. Thank you for your support. I’m very grateful for the opportunity to be a bookseller in Ann Arbor.
We live in a world in which the community of Ann Arbor—Ann freaking Arbor, the home of one of the best universities in the country—can’t support an independent bookstore. As Karl wrote, it seems like a perfect storm of things went wrong to sink Shaman Drum, but still . . . If there’s one city in the Midwest that should have enough intelligent readers to support an indie store, it’s Ann Arbor. My faith has been shaken . . .
Karl’s a close friend, and I know that he’ll come out of this OK. Very interested to see what happens with the Great Lakes Literary Arts Center, but from now on, I know that every trip through Ann Arbor will be incomplete. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .