12 June 09 | Chad W. Post

The most recent addition to our review section is a piece by Daniela Hurezanu on Memory Glyphs: 3 Prose Poets from Romania, which was recently released in the U.S. by Twisted Spoon Press and is translated from the Romanian by Adam J. Sorkin with Radu Andriescu, Mircea Ivanescu, and Bogdan Stefanescu. Like all TSP books, the book itself is really elegant, and the contents aesthetically interesting.

In his preface, translator Adam Sorkin explains a bit about the collection:

First of all, the title of this anthology was lifted from the Radu Andriescu prose poem that closes the book, “The Aswan High Dam.”’ To me, the image suggests a major preoccupation of the prose poem, an esthetic amalgam as it were carved of blocks of words (as in the root of “glyph,” from the idea of cut or incised grooves or sacred symbols or script). In contrast to verse, the prose poem is a formless form, oxymoronic, with both lightness and heft, a chiseled, lapidary, elliptical poetry I have long admired. Not surprisingly then, the impetus for this anthology was my own, as was the choice of poets.

Daniela Hurezanu—who herself is a translator from both French and Romanian, and has even translated W.S. Merwin into French—wrote a fantastic review of this book that opens:

Of the three authors featured in the prose poem collection Memory Glyphs, beautifully translated from the Romanian by Adam Sorkin with Mircea Ivanescu, Bogdan Stefanescu and one of the poets (Radu Andriescu), only the latter is still alive. From the translator’s preface we find out that Cristian Popescu died when he was not even thirty-six “from a heart attack that was induced by his medication for schizophrenia and depression in potent mixture with vodka drinking.” Iustin Panta (pronounced Pantza) died at the same age as Popescu, in a car accident.

In Cristian Popescu’s prose poems, the author himself becomes a character—or so we assume, since we are dealing with someone called Cristi or Popescu. But he isn’t just any character; he is a figure in a family myth based on his own transfigured biography, in which the idyllic and the grotesque mingle in unexpected ways. I would say that, of the three authors, Popescu is the most untranslatable, not because of his language, but because of a certain Romanian sensibility, which is much harder to “translate” into English than words. For example, in “Advice from my mother,” he describes his mother who, after giving birth, felt crippled, and prepared to suckle her baby by powdering and rouging her breasts. She takes comfort, she says, “thinking that one day, someone will curse him [i.e., the baby] and tell him to stick himself back into his mother.” This is a slightly awkward translation of the most vulgar Romanian curse (“Go back into your mother’s c___!” or, in a more polite version, “Go back into your mother’s thing!”). In other words, Popescu’s image of his sentimental mother is done via the most obscene expression in the Romanian language. This union of some very contrary states—the sentimental and the utterly grotesque—which is natural for a Romanian, may not be for a native English-speaker.

Click here for the complete review.


Comments are disabled for this article.
....
Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

Read More >

Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

Read More >

The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

Read More >

Mr. Gwyn
Mr. Gwyn by Alessandro Baricco
Reviewed by Paul Doyle

Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .

Read More >

Bombay Stories
Bombay Stories by Saadat Hasan Manto
Reviewed by Will Eells

I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .

Read More >

The Gray Notebook
The Gray Notebook by Joseph Pla
Reviewed by Christopher Iacono

Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >