Well, at least in relation to Open Letter books . . . The new issue of Harper’s has two pieces on Open Letter titles: a long review by Robert Boyers of Woman of Rome: A Life of Elsa Morante by Lily Tuck and a shorter review of Ilja Leonard Pfeijffer’s Rupert in Benjamin Moser’s New Books column. (Both pieces are accessible online to subscribers only.)
Rupert: A Confession just released this week, but is available at better bookstores everywhere, and through our website. And I think Ben does a better job describing this book that I ever could. After comparing it to Camus’s The Stranger, he brilliantly sums up the novel’s protagonist:
His Rupert is a walker in the city who offers extended thoughts on the proper layout of public squares, methods for downloading and cataloging online pornography, men who wear comfy sweaters (“an arresting demonstration of farmerly freshness of the kind that . . . feels sorry for you because you’re too uptight and inhibited to dress properly”), and the type of woman who “wants to rove around Afghanistan on stolen horses and feel the auras of Tibetan scales with the energy paths of her vulva.”
You can read one of the funniest excerpts from the book here. (Warning: PDF format.) To celebrate the publication of this striking book and our first Harper’s review, we’re going to giveaway 10 copies. To enter into the drawing, simply e-mail me at chad.post at rochester dot edu with your full mailing address.
I’ll write more about Robert Boyers’s piece on Morante later in the month, after the copies of Morante’s Aracoeli are back from the printer. She’s an amazing writer and deserves a post of her own. Not to mention, Robert Boyers wrote the intro for our reissue, so we can include that as well . . . In the meantime though, you can read a sample of Aracoeli by clicking here. (Again, PDF format.)
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .