The latest addition to our review section is a piece by Phillip Witte (former Open Letter intern, current New Directions intern) on Yoel Hoffmann’s Curriculum Vitae, the sixth of Hoffmann’s books to be published by ND. I think this is the only work of fiction I’ve ever come across with no page numbers . . .
Here’s the opening of Phil’s review:
Imagine the scene we are all familiar with: you are writing up a C.V. to send out to those who might judge your capabilities, your efficacies, and the quality of your existence to date from what you were able to condense onto a single side of a sheet of letter paper. Imagine adding, among sections detailing work experience and education, sections that enumerate your preferred breakfast cereals, your ongoing spiritual conundra, and personal illustrations that are little more than impressionist contour doodles. Imagine allowing yourself a healthy dose of humor; it can’t hurt to make your assessors laugh a little. Now imagine reading such a thing.
I have just opened Yoel Hoffmann’s Curriculum Vitae at random, somewhere in the middle. Having finished the book and wondering where to begin if I am to describe it, this seems an appropriate opening gesture, one I hope to justify as I continue. In any case:
“At night we slept (we and Yolanda) back to back while each one saw, as though in a bubble emerging from the head of a comic-strip character, different dreams.
Yolanda most likely dreamed of great gardens. Clay pots. Dalmations.
We (which is to say, I) saw heavier dreams. Landslides in the mountains and an entire town with its golden church spires buried beneath the dirt. Men spreading newspapers out on the floor and reading things in them that make the heart tremble.
It’s all so self-evident why Joyce wrote, for some twenty years, a book without any real words in it. After all, one could die from the clear-cut borders between one word and another: Pot. Skyscraper. File. Scandal. Dentures. Scabies. Snow. Old age. Flute. Cobalt. Socialism.
Sometimes we made instant coffee with three teaspoons of sugar (as Yolanda liked it) and put it before her.”
Click here for the full review.
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“South”
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
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