From today’s Publishing Perspectives piece by Moser about the origins of his project (Why This World) and all that he went through to research this elusive figure:
Maybe because the project began with such élan, I found myself undaunted by the many obstacles that were thrown at me. Neither the cuisine of rural Ukraine, where Clarice, the daughter of Jewish refugees was born; nor the rush-hour traffic in Recife, where she grew up; nor the zealous guardians of the archives of Bern, where she lived as the wife of a Brazilian diplomat, could dissuade me from my task.
I pored over thousands of pages of master’s theses from obscure universities; I learned Yiddish in order to read family memoirs. Time and again, I tugged out an abusively overused credit card: to buy books, including, ultimately, more copies of her rare first novel, Near to the Wild Heart, than are in all the libraries in the United States put together; to chase down some elusive materials in a suburban house in Manchester; to pay a visit to a man in Paris who may or may not have been her lover (he wasn’t); to put myself on yet another fourteen-hour economy flight in order to spend long days speaking to often-reluctant witnesses.
I got called an anti-Semite and an Ugly American; I also got to spend afternoons with loving Jewish grandmothers who made me tea and sent their maids to my hotel with homemade soup when I came down with the flu. I got to eat pizza with a woman in Kiev who had just returned from Chernobyl and who casually laid her Geiger counter on the table as she was digging through her purse in search of her cigarettes.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .