This post is two days overdue, so you may already have noticed that Brazos has replaced Skylight as our “Featured Bookstore” for September.
Back when I did sales calls at Dalkey, I used to love calling Brazos and talking to Karl Kilian. Very nice guy, very kind, very interested in our books. So I was dismayed when he decided to take a job at the Menil Collection and was going to have to sell the store . . . Well, as is detailed in this article, twenty-five local individuals stepped up, pooled resources, formed Brazos Bookstore Acquisition, a limited liability corporation, and saved Brazos.
Jane Moser—the store manager, and more on her in a second—has a great quote about this: “Houston is known for its oil and conservative politics. It’s really nice to have a literary community take a stand and say it will not let the store disappear.”
To be completely honest, I’ve never been to Brazos—or even to Houston, although I seem to know a lot of cool literary people down there—and the real reason I want to feature Brazos this particular month is because of Jane’s son Benjamin. Ben Moser is the new literary editor at Harper’s, a very funny guy, and the author of Why This World, the new biography of Clarice Lispector. He’s actually in the States right now to promote the book and will be “reading at Brazos” on September 14th.
All month, all of the books mentioned in our posts will link to Brazos’s online ordering catalog. Please take advantage and help support Brazos—one of the top indie stores in the country.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .