I went on this trip a couple of years ago (and wrote about it and the U.S. Embassy back in the early days of Three Percent), and can’t recommend it highly enough. Amazing experience and the best opportunity I know of to really find out about Argentine literature. Not to mention, Gabriela Adamo does a brilliant job organizing this and is an incredible woman. Plus, there’s the tango!
So if you’re fluent in Spanish (or sort of fluent in Spanish), you should definitely apply:
For seven years now, Fundación TyPA has been working to make Argentine literature better known around the world. Seventy professionals from many different countries have already taken part in our programme. They visited Buenos Aires, established first-hand contact with the local publishing world and discovered astounding books they’re now publishing on their own. Today, many Argentine books can be found in bookstores in Paris, Berlin, Rome, London, Sao Paulo, New York, Athens, Zurich, Tel Aviv, Amsterdam…
In 2010, Argentina will both be guest of honor at the Frankfurt Bookfair and celebrate it’s 200 years of Independence with an ongoing stream of cultural events. We are happy to be a part of it and are looking for the most talented and open-minded publishers to invite.
DATE: From Sunday, April 18, to Saturday, April 24.
ORGANIZED BY: Fundación TyPA
WITH THE SUPPORT OF: Fundación El Libro (Buenos Aires Bookfair) and the embassies of Brazil, Israel and Italy, among other institutions.
DESCRIPTION: Ten publishers are invited to spend a week in Buenos Aires, where they will listen to talks about contemporary Argentine literature, meet authors, critics and journalists, visit publishing houses, bookstores and cultural centres. There will also be special meetings as requested by the participants.
The grants offered by TyPA include lodging and food, local transportation and all organizational costs. There is also a limited number of complete grants, which include the air tickets to Argentina.
WHO SHOULD APPLY: Publishers and acquisition editors working with translated fiction. We may also consider a limited number of applications by translators and critics. Candidates should be able to read and understand Spanish in order to profit from the visit, since most events will be held in that language.
HOW TO APPLY: Send a brief CV and a letter explaining why you would like to apply to: gadamo [at] typa.org.ar.
DEADLINE FOR APPLICATIONS: Friday, October 30, 2009.
ANNOUNCEMENT OF PARTICIPANTS: Monday, December 21, 2009
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .