Our events calendar is a bit empty right now (if you’re hosting—or attending—any interesting events related to international literature, please e-mail us so that we can include it on that calendar to the right . . ), but there are a number of interesting events coming up that might be of interest.
Following up on the last post about Natasha Wimmer, she’s actually doing two events next month in San Francisco for the Center for the Art of Translation. On October 6, she’d doing a Lit&Lunch event called “Translating a Latin American Superstar” and revolving around Roberto Bolano, and on October 7th, she’lll discuss Bolano with novelist Daniel Alarcón.
On the same two days but on the opposite coast, the Polish Cultural Institute (and a slew of partners, including Words Without Borders) are putting on series of events under the title “After Kapuscinski: The Art of Reportage in the 21st Century.” Participants include Anna Bikont, Ted Conover, Philip Gourevitch, Eliza Griswold, Wojciech Jagielski, Alistair Reid, Pawel Smolenski, Lawrence Weschler, and many others. Full event listings can be found here but all three panels will take place in the evening at NYU’s Hemmerdinger Hall.
Finally, this is a bit further off, but on November 6th, the Ramon Llull Institut is putting on a colloquium entitled “Standing in the Shadows: Catalan Literature and English Translation.” Admission is by invite only, but if you’re lucky enough to be invited (or interested enough to beg for an invite), it looks to be pretty interesting. Mary Ann Caws, Lyn Hejinian, Francesc Parcerisas, Carlin Romano, Jill Schoolman, will all be participating.
The recent reissuing of several of Stig Dagerman’s novels by University of Minnesota Press has rekindled interest in his works, which have until now been little-known outside Sweden. Just twenty-four when he wrote A Burnt Child (here newly translated by. . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .