25 September 09 | Chad W. Post

Natasha Wimmer has an interesting piece on Catalan author Merce Rodoreda. It’s great introduction to Rodoreda—considered to be one of the greatest Catalan authors of all time—even if Wimmer does prefer The Time of the Doves (available from Graywolf) to Death in Spring (which we brought out last year and was masterfully translated by Martha Tennent).

I can’t remember the first time I read Mercè Rodoreda’s The Time of the Doves. It might have been when I was 13, living with my family in the high-rise suburbs of Madrid. It might have been when I was 17, back in Madrid with my mother for a few weeks in a sweltering rented room. Or it might have been when I was 19, on my own in the city, sharing an apartment near the train station with four South American girls. In any case, I read it in Spanish, under the title La plaza del diamante (the original Catalan title is La plaça del diamant). And I read it at about the same time as I read Nada, by Carmen Laforet. These were the first serious books I read in Spanish, and I’ve never forgotten them.

Certainly, few books have been as gorgeously sad. On a personal list of misery-inducing favorites including Jean Rhys’s Wide Sargasso Sea and Joan Didion’s Play It As It Lays, The Time of the Doves ranks near the top. Set in Barcelona around the time of the Spanish Civil War, it’s tragic simply as a function of its setting, but Rodoreda plumbs a sadness that reaches beyond historic circumstances, a sadness born of helplessness, an almost voluptuous vulnerability. This condition will be familiar to readers of Rhys’s novels, to which Rodoreda’s novels bear a certain resemblance. Rodoreda’s women are notable for their almost pathological lack of volition, but also for their acute sensitivity, a nearly painful awareness of beauty. [. . .]

For those who’ve only read The Time of the Doves, Death in Spring will come as a surprise. In it, Rodoreda works in an entirely different register, heavily symbolic and fable-like. Signs of this tendency are visible in a number of her short stories, some of which are collected in My Christina and Other Stories. In this collection, Rodoreda’s full range of expression is on display, from the almost banal realism of a later novel, A Broken Mirror, through the exquisite impressionism of The Time of the Doves and Camellia Street, to the garish symbolism of Death in Spring. In Rodoreda’s more symbolic fictions, nature comes to the fore and humans mimic animals or morph into them, as in the short story “The Salamander,” in which a woman who sleeps with a married man is burned to death and turns into a salamander, returning to live under her lover’s bed.

The use of symbolism is a form of sublimation, in the same way that the ruthless elision and economy of Rodoreda’s writing in The Time of the Doves is a form of sublimation. In both cases, Rodoreda heightens and transforms the brutal reality of existence in a world of endless war. The artfulness of the latter method, however, stands in contrast to the often garbled mythmaking of some of the short stories and Death in Spring. Like “The Salamander,” Death in Spring is set in a village that’s part medieval, part contemporary and part infernal. A river runs beneath it, through a rocky passage, and every year one man must swim it to make sure the village isn’t about to be washed away. Most emerge near death, their faces torn by the rocks, but even this is benign compared with the village’s rituals of death, in which living villagers are stuffed full of pink cement and entombed upright in trees.

You can read the whole article here and when you’re inspired to purchase all of Rodoreda’s books, you can do so via Brazos Bookstore’s online catalog by clicking here.


Comments are disabled for this article.
....
The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >

Nowhere to Be Found
Nowhere to Be Found by Bae Suah
Reviewed by Pierce Alquist

It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .

Read More >

La paz de los vencidos
La paz de los vencidos by Jorge Eduardo Benavides
Reviewed by Brendan Riley

Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .

Read More >

Souffles-Anfas: A Critical Anthology
Souffles-Anfas: A Critical Anthology by Various
Reviewed by Emma Ramadan

Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .

Read More >

Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

This Place Holds No Fear
This Place Holds No Fear by Monika Held
Reviewed by Lori Feathers

Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .

Read More >

The Room
The Room by Jonas Karlsson
Reviewed by Peter Biello

If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .

Read More >

Thérèse and Isabelle
Thérèse and Isabelle by Violette Leduc
Reviewed by Kaija Straumanis

I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >